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Vol. 14- include Verslag of the Nederlandse Vereniging "Het Huis voor Kunsten en Wetenschappen te Rome" for 1933- (called 1933- Nederlandsche Vereeniging "Het Huis voor Kunsten en Wetenschappen te Rome")
With parallels to today, a significant new account of the Roman empire as a place of migration, diversity and commerce, as well as its traditional image as a military power.
Weaving together social, political, economic and architectural history, this book explores the role of key patrons in Siena's urban projects, including Pope Pius II Piccolomini and his family, and the quasi-despot Pandolfo Petrucci.
The notion of being freeborn republicans bound the eighteenth-century Dutch together. Yet beneath this general label, many fundamental differences existed. This book explores the varieties of eighteenth-century Dutch republicanism. It thereby significantly contributes to our understanding of a crucial period in the development of Dutch political thought.
The importance of collective behavior in early medieval Europe By the fifth and sixth centuries, the bread and circuses and triumphal processions of the Roman Empire had given way to a quieter world. And yet, as Shane Bobrycki argues, the influence and importance of the crowd did not disappear in early medieval Europe. In The Crowd in the Early Middle Ages, Bobrycki shows that although demographic change may have dispersed the urban multitudes of Greco-Roman civilization, collective behavior retained its social importance even when crowds were scarce. Most historians have seen early medieval Europe as a world without crowds. In fact, Bobrycki argues, early medieval European sources are full ...
In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship.
While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.
The power of monarchs has traditionally been as much symbolic as actual, rooted in popular imagery of sovereignty, divinity, and authority. In Mystifying the Monarch, a distinguished group of contributors explores the changing nature of that imagery—and its political and social effects—in Europe from the Middle Ages to the present day. They demonstrate that, rather than a linear progression where perceptions of rulers moved inexorably from the sacred to the banal, in reality the history of monarchy has been one of constant tension between mystification and demystification.