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Gentrification as a Global Strategy
This book pays homage to Neil Smith’s ideas, offering a critical approach and rich collection of insights that draw on Smith’s work for inspiration and debate. With interdisciplinary and international contributions from leading experts, the book demonstrates the impact of Smith’s ideas on understanding the role of urbanisation in general and gentrification, in particular, in contemporary society. The book demonstrates how gentrification varies significantly from city to city, across different cultural and political-economic regimes, and in terms of the timing of urban transformations. This collection provides a forum for debate for those working in urban regeneration and citizenship, and those directly affected by the processes and problems arising from gentrification. It will be of interest to students and scholars in urban geography, urban sociology, cultural studies, and wider social and urban theories.
The History Teacher's Handbook
This handbook provides secondary school history teachers with a broad range of strategies to keep active learning approaches at the forefront of their teaching. >
The Oxford Handbook of Music Composition Pedagogy
The Oxford Handbook of Music Composition Pedagogy presents an illuminating collection of philosophy, research, applied practice, and international perspectives to highlight the practices of teaching and learning in the field of music composition. The Handbook offers various strategies and approaches in composition for teachers, music teacher educators, and students of music education.
Uneven Development
In Uneven Development, a classic in its field, Neil Smith offers the first full theory of uneven geographical development, entwining theories of space and nature with a critique of capitalism. Featuring groundbreaking analyses of the production of nature and the politics of scale, Smith's work anticipated many of the uneven contours that now mark neoliberal globalization. This third edition features an afterword examining the impact of Neil's argument in a contemporary context.
Napoleonic Wargaming
Following the success of his previous publications "Wargaming: An Introduction and Ancient and Medieval Wargaming," Neil Thomas presents a new volume devoted to the intricacies of Napoleonic wargaming. Thomas sets out his wargame rules, the principles behind them, extensive army lists, how to set up a game and a battle report describing a war game in progress. The appendices provide a full range of support material such as figure sizes. "Napoleonic Wargaming" also includes historical background and the art of Napoleonic warfare to provide essential contextual information for players. This book is an invaluable tool for wargamers and coincides with the bicentenary of the wars themselves.
The Routledge Companion to Applied Musicology
The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.
The City Record
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Mathias Spahlinger
The first book-length study in English of composer Mathias Spahlinger, one of Germany's leading practitioners of contemporary music. One of the most stimulating and provocative figures of the new music scene, Mathias Spahlinger has long been a touchstone for leftist, "critical" composition in Germany, yet his work has received very little attention in Anglophone scholarship until now. Spahlinger's practice offers a unique negotiation of the modernist legacy as well as passionate political and philosophical engagement. Born in 1944, today his position as one of the most venerable exponents of post-WWII modernism in his homeland is undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Berliner Kunstpreis, Berlin's top art prize. Bringing a critical perspective to Spahlinger's life and work, this monograph provides an essential reference for scholars of new music and twentieth-century modernism.
