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Mean Girls
Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw.
Mean Girls
(Vocal Selections). This 2018 Broadway adaptation of the hit 2004 movie about the cut-throat social status of a group of teenage girls features lyrics by Nell Benjamin with music by Jeff Richmond and was nominated for several Tony Awards . Our folio includes 16 selections arranged for voice with piano accompaniment: Apex Predator * A Cautionary Tale * Fearless * I See Stars * I'd Rather Be Me * It Roars * Meet the Plastics * More Is Better * Revenge Party * Sexy * Someone Gets Hurt * Stop * Stupid with Love * What's Wrong with Me? * Where Do You Belong? * World Burn.
We Fly At Dawn
The stories contained in this book are some of Tony’s favorites which he has written down through the years. Heavy in metaphor and abstraction, they are designed to make one dwell on the values of commitment and responsibility. Although the lead story is about a flock of migrating mallards, it will quickly become obvious that the story is really about our life and how to deal with disaster or tragedy. The other stories are equally thought provoking, but also designed to entertain and inspire.
Contemporary Farce on the Global Stage
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the ...
Women Writing Musicals
The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricis...
House documents
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The Curious Caves of Honey Cove
Nell Shepard, a hardworking junior executive in the city, is finally taking a well-deserved vacation. When she arrives, however, she finds the hotel less than stellar and the staff more than rude. On a whim, she borrows a horse from the stable next door and escapes to the cliffs to see if they are also disappointing. Nell is impressed by the natural splendor of the cliffs. While there, she decides to take a rest for a while-but accidentally falls asleep, awakening to a thick fog and a missing horse. She is soon rescued by the unbelievably handsome Ben, who knows as much about the caves as Nell knows about business. It's impossible to resist his charms, and soon the seaside town and its strange residents grow on her. Something is amiss, though. The sheriff is found murdered in one of the caves of Honey Cove. Somewhere among the eccentric group of townsfolk there is a murderer, and it might even be Ben. Everyone is a suspect, but Nell is on the case. Soon, she comes to realize that if she doesn't solve this murder, she could end up a victim herself-just another body hidden in a dank cave above the cold ocean coast.
Conversations with Nell
Escape to the world of wise and witty Labrador Nell through her conversations with Sara. You won’t want to leave Anyone who owns a dog, loves animals, or would like some sensible advice from a worldly-wise Labrador will love Nell Is handsome German Shepherd Charlie really a secret agent and why is there a Pomeranian in Nell’s handbag?
Stanley Brambles and the Pirate's Treasure
Twelve-year-old Stanley Brambles is an average kid. He lives in the boring, small town of East Stodgerton, has a regular family-a mom, a dad, and a dog-and his life is one long routine. But all that changes one day when he meets his great uncle, Jackson Warrington Lee. Rumour has it that Uncle Jack was once the most feared pirate to ever sail the seven seas-and now Stanley wants to uncover his secrets. A humdrum visit to Uncle Jack's seaside mansion quickly turns into the adventure of a lifetime as Stanley and his friends, Alabaster Lancaster and Prunella "Nell" Hawthorne, are whisked off to a strange and wonderful world, where vicious prehistoric fish dominate the aquatic food chain and pirates still plough the waves. But there's more than piracy afoot. A sinister power is at work in this world, and Stanley is more than a little surprised to learn that he has somehow drawn its attention. A rollicking story full of adventure and danger, good versus evil, and the strength and importance of friendship, Stanley Brambles and the Pirate's Treasure brilliantly shows that even seemingly ordinary people are capable of extraordinary things.
Maternal Representations in Twenty-First Century Broadway Musicals
Maternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers analyzes Broadway productions within the context of their presentation and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential, and overbearing mothers. MacKenzie considers how and why commercial representation of mother figures are limited and predominantly negative, even as fiction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today.
