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Old In Art School
A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is “a smart, funny and compelling case for going after your heart's desires, no matter your age” (Essence). Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school––in her sixties––to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit...
The History of White People
A New York Times Bestseller This terrific new book…[explores] the ‘notion of whiteness,’ an idea as dangerous as it is seductive." —Boston Globe Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of “whiteness” for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of “race” is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and rich history of events.
Creating Black Americans
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
Southern History Across the Color Line
This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.
Sojourner Truth: A Life, A Symbol
“A triumph of scholarly maturity, imagination, and narrative art.”—Arnold Rampersad Sojourner Truth: formerly enslaved person and unforgettable abolitionist of the mid-nineteenth century, a figure of imposing physique, a riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became an early national symbol for strong Black women—indeed, for all strong women. In this modern classic of scholarship and sympathetic understanding, eminent historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend.
Exodusters
The first major migration to the North of ex-slaves.
The History of White People
Beginning at the roots of Western civilization, historian Painter traces the invention of the idea of a white race, reminding readers that the concept of race is an all-too-human invention whose meaning, importance, and reality have changed over time.
Soul Murder and Slavery
Drawing upon psychological paradigms, Professor Painter examines the history of child and sexual abuse within American slave society by employing the concept of soul murder.
Standing at Armageddon
Standing at Armageddon is a comprehensive and lively historical account of America's shift from a rural and agrarian society to an urban and industrial society. Nell Irvin Painter will be featured in the PBS multipart series The Progressive Era with Bill Moyers, which coincides with the release of the updated edition of this acclaimed work.
Standing at Armageddon: A Grassroots History of the Progressive Era
“A gripping and forceful narrative.”—Nancy F. Cott, author of Public Vows An “enthralling” (Michael Kazin, Washington Post) account of America’s shift from a rural and agrarian society to an urban and industrial society. In the late nineteenth and early twentieth centuries, technological innovation made possible dramatic increases in industrial and agricultural productivity; by 1919, per capita gross national product had soared. But this new wealth and new power were not distributed evenly. In this landmark work—with continued resonance for our times—acclaimed historian Nell Irvin Painter illuminates the class, economic, and political conflicts that defined the Progressive Era. Demonstrating the ways in which racial and social hierarchies were interwoven with reform movements, she offers a lively and comprehensive view of Americans, rich and working-class, at the precipice of change.
