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Nell and I were almost ready to go on for the last act of “Queen Esther,” and we had for the moment got rid of our three patient dressers, Mrs. Dow, Mrs. Freeze, and Mrs. Spinny. Nell was peering over my shoulder into the little cracked looking-glass that Mrs. Dow had taken from its nail on her kitchen wall and brought down to the church under her shawl that morning. When she realized that we were alone, Nell whispered to me in the quick, fierce way she had:
Music is everywhere in Willa Cather's fiction: as a subject, in the background, slyly commenting on the action, connecting characters to a distant world, or revealing their interior worlds. Not merely incidental or ornamental, though, music is intrinsic to Cather's work, a distinctive quality of her creation and expression, and it is in this light that Richard Giannone considers Cather's art. Music in Willa Cather's Fiction is the definitive study of its subject. The first work to examine the complex thematic and structural forms that music acquires in Cather's narratives, Giannone's book uses this musical approach as a way of seeing into the author's artistic sensibility, the evolution of h...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Willa Sibert Cather (1873-1947) was an eminent American author. She spent her childhood in Red Cloud, Nebraska, the same town that has been made famous by her writing. She insisted on attending college, so her family borrowed money so she could enroll at the University of Nebraska-Lincoln. While there, she became a regular contributor to the Nebraska State Journal. She then moved to Pittsburgh, where she taught high school English and worked for Home Monthly, and eventually got a job offer from McClure's Magazine in New York City. Later, she became the managing editor in 1908. The latter publication serialized her first novel, Alexander's Bridge (1912), which was heavily influenced by Henry James. For her novels she returned to the prairie for inspiration, and these works became popular and critical successes. She won the Pulitzer Prize in 1923 for One of Ours (1922). Her other works include: O Pioneers! (1913), The Song of the Lark (1915), My Antonia (1918) and A Lost Lady (1923).
This book presents interprative approaches to Willa Cather based on materials available in the Drew University Cather Collection. The scholars suggest the work left to do on Willa Cather, and the diverse directions in which scholars now must travel.