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Dove Findhorn is a naïve country boy who busts out of Hicksville, Texas in pursuit of a better life in New Orleans. Amongst the downtrodden prostitutes, bootleggers and hustlers of the old French Quarter, Dove finds only hopelessness, crime and despair. His quest uncovers a harrowing grotesque of the American Dream. A Walk in the Wild Side is an angry, lonely, large-hearted and often funny masterpiece that has captured the imaginations of every generation since its first publication in 1956, and that rendered a world later immortalised in Lou Reed ́s classic song.
A novel about a young drug addict and his daily encounters as he pursues his eternal quest for means to support his habit.
Presents Algren's irreverent portrait of Chicago--the hustlers' town--which records the character and lifestyles of the Windy City from pioneer days through Prohibition and the reign of Richard Daley
They met in 1949 when Art was a reporter for Life. Shay followed Algren around with a camera, gathering pictures for a photo-essay piece he was pitching to the magazine. Life didn’t pick up the article, but Shay and Algren became fast friends. Algren gave Shay’s camera entrance into the back-alley world of Division Street, and Shay captured Algren’s poetry on film. They were masters chronicling the same patch of ground with different tools. Chicago’s Nelson Algren is the compilation of hundreds of photos—many recently discovered and published here for the first time—of Nelson Algren over the course of a decade and a deeply moving homage to the writer and his city. Read Algren and you’ll see Shay’s pictures; look at Shay’s photos and you’ll hear Nelson’s words.
The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren's lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren's beloved Chicago White Sox, among other subjects. In this collection, not just Algren's intensity but his diversity are revealed and celebrated.
In these frank and often devastating conversations Nelson Algren reveals himself with all the gruff humor, deflating insight, honesty, and critical brilliance that marked his career. Prodded by H. E. F. Donohue, Algren discusses everything from his childhood to his compulsion to write to his relationship with Simone de Beauvoir. The result is a masterful portrait of a rebel and a major American writer.
Nelson Algren was a renowned Chicago writer known for his social commentary and his novels like The Man with the Golden Arm and A Walk on the Wild Side. Although he continues to be remembered almost exclusively for his novels, this book aims to highlight the value and influence of his short form works. Before he died in 1981, Algren had amassed a genre-defying body of work, including short stories, articles, poems and book reviews. The present book features a comprehensive analysis and discussion of Algren's lost literature, including everything but his novels. One of the pieces covered is a masterpiece of race relations written in 1950, more than 60 years before the galvanization of the Black Lives Matter movement. Another is a scathing poem about Algren's transatlantic love affair with Simone de Beauvoir. Both items are reprinted in the book courtesy of the Algren estate. This book also includes references to Algren's works that have yet to be studied by Algren scholars.
The Devil’s Stocking is the story of Ruby Calhoun, a boxer accused of murder in a shadowy world of low-purse fighters, cops, con artists, and bar girls. Chronicling a battle for truth and human dignity which gives way to a larger story of life and death decisions, literary grandmaster Nelson Algren’s last novel is a fitting capstone to a long and brilliant career.
Brooke Horvath surveys the literary contributions of a writer known as the voice of America’s dispossessed. Horvath offers an introduction to the life and work of the Chicagoan who wrote about the underclass in the Windy City and beyond, bringing to the fore their humanity and aspirations. Examining Algren’s eleven major works, Horvath sets Algren’s evolution as a writer against the backdrop of the nation’s shifting social, political, and economic landscape.