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It is hard to imagine tourism without the creative use of seductive, as well as restrictive, imaginaries about peoples and places. These socially shared assemblages are collaboratively produced and consumed by a diverse range of actors around the globe. As a nexus of social practices through which individuals and groups establish places and peoples as credible objects of tourism, “tourism imaginaries” have yet to be fully explored. Presenting innovative conceptual approaches, this volume advances ethnographic research methods and critical scholarship regarding tourism and the imaginaries that drive it. The various authors contribute methodologically as well as conceptually to anthropology’s grasp of the images, forces, and encounters of the contemporary world.
Like other industrial nations, Japan is experiencing its own forms of, and problems with, internationalization and multiculturalism. This volume focuses on several aspects of this process and examines the immigrant minorities as well as their Japanese recipient communities. Multiculturalism is considered broadly, and includes topics often neglected in other works, such as: religious pluralism, domestic and international tourism, political regionalism and decentralization, sports, business styles in the post-Bubble era, and the education of immigrant minorities.
Chapter by N. Williams separately annotated.
The appeal of sacred sites remains undiminished at the start of the twenty-first century, as unprecedented numbers of visitors travel to Lourdes, Rome, Jerusalem, Santiago de Compostela, and even Star Trek conventions. Ethnographic analysis of the conflicts over resources and meanings associated with such sites, as well as the sense of community they inspire, provides compelling evidence re-emphasizing the links between pilgrimage and tourism. As the papers in this collection demonstrate, studies of these forms of journeying are at the forefront of postmodern debates about movement and centers, global flows, social identities, and the negotiation of meanings.
In Tourism and Prosperity in Miao Land, Xianghong Feng focuses on the intersection of tourism, power, and inequality in the southern interior of China. In this region, capital-intensive and elite-directed tourism has reshaped the social and cultural patterns of the ethnic Miao and other local residents. Using ethnographic fieldwork conducted over the course of a decade, Feng examines the cultural reconstructions of space, ethnicity, gender, and morality within changing power structures. This book is recommended for scholars of anthropology, sociology, economics, political science, Asian studies, and tourism studies. For more information, check out A Conversation with Xianghong Feng.
Ostrowitz is an art historian and an artist who lives in New York, is affiliated with Yale University, and is a former assistant curator at the Brooklyn Museum of Art. Here she presents a thorough, scholarly exploration of the complex issues of authenticity, tradition, and creative translation-carefully considering Northwest Coast dances, ceremonies, masks, painted screens, and houses, and drawing on an extensive body of interviews with tribal leaders, artists, and artisans known and respected in both Native and non-Native venues. Copyright © Libri GmbH. All rights reserved.
Indigenous Tourism Movements explores Indigenous identity using "movement" as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.
of older children, adults, and the family unit as a whole. These moral evaluations are, in turn, influenced by such external contingencies as popula tion demography, social and economic factors, subsistence strategies, house hold composition, and by cultural ideas concerning the nature of infancy and childhood, definitions of personhood, and beliefs about the soul and its immortality. MOTHER LOVE AND CHILD DEATH Of all the many factors that endanger the lives of young children, by far the most difficult to examine with any degree of dispassionate objectivity is the quality of parenting. Historians and social scientists, no less than the public at large, are influenced by old cultural myths a...
"An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."—Susan S. Bean, Curator, Peabody Essex Museum