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The title of this volume of the NKJ takes cognisance of the cross-disciplinary field of animal studies, which challenges taxonomies that set human beings apart from, and often above or at the centre of, all other living creatures and the broader environment.
This NKJ volume breaks new ground in applying the aims and approaches of global art history to the Low Countries. From Greenland to South Africa and Mexico to Sri Lanka, it explores how Netherlandish art testifies to the interconnectedness of the Early Modern world.
The present volume, number 15 of the Acta Historiae Neerlandicae - which have been appearing since 1978 under the title The Low Countries History Yearbook - is the last of the series. Economic reasons force the publishers to discontinue it. This is a matter for regret. Both the editors of the Yearbook and the board of the Nederlands Historisch Genootschap, under the auspices of which it has been published, are con vinced that the books serve a useful purpose. We hope that in the future more favour able circumstances will enable Dutch and Flemish historians to start a second series. We feel, however, that the Yearbook should not be allowed to disappear com pletely. In our opinion, one of its most attractive features has been the 'Survey of recent historical works on Belgium and the Netherlands published in Dutch.' It is the intention of the Nederlands Historisch Genootschal'. to seek means to continue this in another form, probably in that of pamphlets appearing every two years and written by the same, or a similar, group of experts. In that way we may be able to provide a useful service to our colleagues abroad.
This volume of the Netherlands Yearbook of International Law (NYIL) is the fiftieth in the Series, which means that the NYIL has now been with us for half a century. The editors decided not to let this moment go by unnoticed, but to devote this year’s edition to an analysis of the phenomenon of yearbooks in international law. Once the decision was made that this would be the subject of this year’s NYIL, the editors asked themselves a number of questions. For instance: Not many academic disciplines have yearbooks, so what is the reason we do? What is the added value of having a yearbook alongside the abundance of international law journals, regular monographs and edited volumes that are p...
The eleven essays in this volume offer the most complete and accurate overview of Netherlandish 16th-century sculpture to date.
Founded in 1947 the NKJ is a peer-reviewed journal, which has established an international reputation for publishing outstanding articles that reflect the variety and diversity of approaches to the study of Netherlandish art and culture. The NKJ aims to foster traditional art historical scholarship and to open up the field to innovative cross disciplinary developments. The NKJ is ranked in the European Reference Index for the Humanities (ERIH) as an International 1 (INT1) journal and is listed in the Arts & Humanities Citation Index (Thomson Reuters).
This volume of the Netherlands Yearbook of International Law explores the many faces of populism, and the different manifestations of the relationship between populism and international law. Rather than taking the so-called populist backlash against globalisation, international law and governance at face value, this volume aims to dig deeper and wonders ‘What backlash are we talking about, really?’. While populism is contextual and contingent on the society in which it arises and its relationship with international law and institutions thus has differed likewise, this volume assists in our examination of what we find so dangerous about populism and problematic in its relationship with international law. The Netherlands Yearbook of International Law was first published in 1970. It offers a forum for the publication of scholarly articles in a varying thematic area of public international law./div
This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approac...
This volume, consisting of seventeen studies by leading experts in the field, takes stock of recent work on the history and literary culture of the Jews in the Netherlands and Antwerp from before the revolt until the present. Important new discoveries are included here for the first time.