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Fashion
Fashion: Photography of the Nineties is a compilation of over two hundred images culled from the worlds of art and fashion. A chronicle of the fashion iconography of the Nineties, it places images familiar from magazines and style journals alongside their wilder, darker counterparts, many of which are published here for the first time. In these photographs the body and its gestures report on the defining characteristics of a decade. Postures of anxiety, insecurity and sexual uncertainty co-exist with fashion's more traditional celebrations. The ambiguity of gender and beauty lays bare our secret desires, dissolving the boundaries between what is worn and the way we wear it. Elegance and vulgarity, femininity and masculinity, art and fashion meet in the spaces separating the raw, the beautiful, the unkempt and the subversive. Out of the collision between style and the subconscious emerges a portrait of our time.
Lifescapes
McDean calls this collection Lifescapes rather than landscapes because the images represent his private views--vignettes from his own travels, his road trips across the world.
Place
Thoroughly revised and updated, this text introduces students of human geography and allied disciplines to the fundamental concept of place, combining discussion about everyday uses of the term with the complex theoretical debates that have grown up around it. • A thoroughly revised and updated edition of this highly successful short introduction to place • Features a new chapter on the use of place in non-geographical arenas, such as in ecological theory, art theory and practice, philosophy, and social theory • Combines discussion about everyday uses of the term ‘place’ with the more complex theoretical debates that have grown up around it • Uses familiar stories drawn from the news, popular culture, and everyday life as a way to explain abstract ideas and debates • Traces the development of the concept from the 1950s through its subsequent appropriation by cultural geographers, and the linking of place to politics
A History of the Western Art Market
This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical pers...
Postmodern Music/Postmodern Thought
What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.
The Body in Theory
The body has always had the potential to unsettle us with its strange exigencies and suppurations, its demands and desires, and thus throughout the ages, it has continued to be a subject of interest and obsession. This collection of twelve peer-reviewed essays on Jacques Lacan and Michel Foucault interrogates the body in all of its beauty...and with all of its blights and blemishes. Written by a diverse body of scholars--art historians, cultural theorists, English professors, philosophers, psychoanalysts, and sociologists from North America and Europe--these essays bring into conversation two intellectual giants frequently seen as antagonists, and thus rarely seen together. Topics covered include: the intersections of Foucault and Lacan and how they bring to light new thoughts on the senses, the self-destructive body, ableism and disability in Guillermo del Toro's film The Shape of Water, body image and the ego, selfie-culture, and metamorphosis in Ottessa Moshfegh's novel My Year of Rest and Relaxation, among others.
Bulldozer
The first history of the bulldozer and its transformation from military weapon to essential tool for creating the post-World War II American landscape Although the decades following World War II stand out as an era of rapid growth and construction in the United States, those years were equally significant for large-scale destruction. In order to clear space for new suburban tract housing, an ambitious system of interstate highways, and extensive urban renewal development, wrecking companies demolished buildings while earthmoving contractors leveled land at an unprecedented pace and scale. In this pioneering history, Francesca Russello Ammon explores how postwar America came to equate this de...
The Filipino Primitive
Nowhere can we appreciate so easily the intertwined nature of the triple forces of knowledge accumulation--capital, colonial, and racial--than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. Sarita See maintains that it is this material collection of artifacts associated with the racial, colonial primitive that forms the foundation of American knowledge production. The Filipino Primitive takes Karl Marx's concept of "primitive accumulation," usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the ...
Aftermyths
Aftermyths investigates fault-lines in literary and visual representation from 1870 to the early twentieth century as they range from a faux essentialism, often with ethnic overtones, to a «cadence of decadence» reflecting the dissensions of modernity. Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic «decadence, » «Americanness, » and «Germanness.» Pastoral idiom and foreign words, «incomprehensible to us as so many dead languages, » reflect Hesperian micrology on the part of the Übergossiper James, a discursive «katzenjammer» effect, whi...
