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Fashion
Fashion: Photography of the Nineties is a compilation of over two hundred images culled from the worlds of art and fashion. A chronicle of the fashion iconography of the Nineties, it places images familiar from magazines and style journals alongside their wilder, darker counterparts, many of which are published here for the first time. In these photographs the body and its gestures report on the defining characteristics of a decade. Postures of anxiety, insecurity and sexual uncertainty co-exist with fashion's more traditional celebrations. The ambiguity of gender and beauty lays bare our secret desires, dissolving the boundaries between what is worn and the way we wear it. Elegance and vulgarity, femininity and masculinity, art and fashion meet in the spaces separating the raw, the beautiful, the unkempt and the subversive. Out of the collision between style and the subconscious emerges a portrait of our time.
Lifescapes
McDean calls this collection Lifescapes rather than landscapes because the images represent his private views--vignettes from his own travels, his road trips across the world.
Brilliant!
None
I Love Fast Cars
Novel fashion photographer Craig McDean -- he of the blazing Jil Sander and Calvin Klein campaigns -- has a hankering for hot wheels and muscle cars, the kind built in back yards and driveways across America. He also loves to see them drag race, in quasi-formal circuits known as bracket racing.
Ari Marcopoulos: Not Yet
The definitive monograph of Ari Marcopoulos, the renowned photographer whose explicit and startling visual intimacy bridges art and street photography. For nearly four decades, Ari Marcopoulos has broken conventions with his candid and raw style. His photographs documenting subcultures such as skateboarding, snowboarding, and hip-hop; his tendencies to photograph stark landscapes, portraits of artists, and celebrities; and his extremely quiet and intimate photos of his family and friends have all been hugely influential in helping to establish the visual rawness of youth culture, as well as the ephemeral aesthetic of contemporary photography. Ari Marcopoulos: Not Yet is an unprecedented journey through the artist’s celebrated career, from skateboarding and snowboarding to rural landscapes and cityscapes. This volume includes both iconic and never-before-published photographs from the 1980s to now. Each chapter is edited by a different celebrated artist or family member—all close to Marcopoulos—and it is through these personal reflections on the artist’s work that this monograph takes on a deeper level of intimacy, drawing a more complete portrait of his oeuvre.
Place
Thoroughly revised and updated, this text introduces students of human geography and allied disciplines to the fundamental concept of place, combining discussion about everyday uses of the term with the complex theoretical debates that have grown up around it. • A thoroughly revised and updated edition of this highly successful short introduction to place • Features a new chapter on the use of place in non-geographical arenas, such as in ecological theory, art theory and practice, philosophy, and social theory • Combines discussion about everyday uses of the term ‘place’ with the more complex theoretical debates that have grown up around it • Uses familiar stories drawn from the news, popular culture, and everyday life as a way to explain abstract ideas and debates • Traces the development of the concept from the 1950s through its subsequent appropriation by cultural geographers, and the linking of place to politics
Sympathy for the Devil
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
Grand Design
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, dr...
Nothing in Itself
What Herbert Blau suggests, in Nothing in Itself, is that fashion itself, today, has been anticipating and redefining, in the dazzle on the runway, or even in ready-to-wear, the terms in which it is critiqued, while sometimes giving the impression that it is inseparable from critique; in short, there is little to be said of fashion that is not somehow visible in fashion, though even in the mainstream we may call it antifashion. Which is all the more reason to look at the clothes. The book does so copiously, with a fastidious eye to style, as if nothing could be said of a garment, no appropriate fabric of thought, without the felt sensation.
