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The Gongkar Lamdre: Masters in Khyenluk Style
Tibetan text by Losal Dondup (Gongkar Choede); English text by Mathias Fermer (University of Vienna, Austria). Dehradun: Gongkar Choede Monastery, 2024. Tibetan and English; 312 mm x 252 mm; 216 illustrations, appendices A-D.
The Artists of Nathadwara
A richly illustrated look at the lives and careers of North Indian artists
Divine Images, Human Visions
Over 150 exquisite color illustrations and text make this account of one of North America's finest South Asian art collections an invaluable guide.
Religion in India
Religion in India is an ideal first introduction to India's fascinating and varied religious history. Fred Clothey surveys the religions of India from prehistory and Indo-European migration through to the modern period. Exploring the interactions between different religious movements over time, and engaging with some of the liveliest debates in religious studies, he examines the rituals, mythologies, arts, ethics and social and cultural contexts of religion as lived in the past and present on the subcontinent. Key topics discussed include: Hinduism, its origins and development over time minority religions, such as Christianity, Judaism, Islam, Sikhism, Zoroastrianism, Jainism and Buddhism th...
Paradise and Plumage
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Postcolonial Practices of Care
This anthology seeks to theorize a method of a radical, decolonial spiritual-care paradigm that can chart a new course in defining--or reframing--what is "spiritual," what is theological, and what is "care." Postcolonial Practices of Care presents voices of educators, chaplains, students, human-rights and disability activists, and other professionals to highlight the problems of disciplinary divides and binaries--such as pastoral/spiritual or ordinary/sacred. In focusing on the practices of care during the pandemic, the editors see their book as contributing to ongoing paradigm shifts and the importance of decoloniality as a method in the field of pastoral care. The praxis of spiritual care ...
Lady of the Beasts
Vivid and provocative images of the Great Goddess throughout the centuries and from around the world--an outstanding gift for the art collector, history enthusiast, or anyone interested in women's spirituality. Three 8-page color inserts, 196 photos, 65 drawings.
The Circle of Bliss
Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa
Absent Lord
What does it mean to worship beings that one believes are completely indifferent to, and entirely beyond the reach of, any form of worship whatsoever? How would such a relationship with sacred beings affect the religious life of a community? Using these questions as his point of departure, Lawrence A. Babb explores the ritual culture of image-worshipping Svetambar Jains of the western Indian states of Gujarat and Rajasthan. Jainism traces its lineages back to the ninth century B.C.E. and is, along with Buddhism, the only surviving example of India's ancient non-Vedic religious traditions. It is known and celebrated for its systematic practice of non-violence and for the intense rigor of the asceticism it promotes. A unique aspect of Babb's study is his linking of the Jain tradition to the social identity of existing Jain communities. Babb concludes by showing that Jain ritual culture can be seen as a variation on pan-Indian ritual patterns. In illuminating this little-known religious tradition, he demonstrates that divine "absence" can be as rich as divine "presence" in its possibilities for informing a religious response to the cosmos.
Ascetics and Kings in a Jain Ritual Culture
Jainism is aside from Buddhism, the only surviving example of India`s ancient non-Vedic religious traditions celebrated for its systematic practice of non-violence and for the rigor of the asceticism it promotes. It sheds light on a little known religious tradition and demonstrates that divine absence.
