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The vibrant tradition of Temple decoration in India.
Exploring family stories reveals the rich history of a seventh-century Buddhist shrine. As a young girl in Bombay, Kirin Narayan was enthralled by her father’s stories about how their ancestors had made the ancient rock-cut cave temples at Ellora. Recalling those stories as an adult, she was inspired to learn more about the caves, especially the Buddhist worship hall known as the “Vishwakarma cave.” Immersing herself in family history, oral traditions, and works by archaeologists, art historians, scholars of Buddhism, Indologists, and Sanskritists, Narayan set out to answer the question of how this cave came to be venerated as the home of Vishwakarma, the god of making in Hindu and Bud...
Ahmad Zarruq, a 15th-century North African Sufi, turned his considerable intellect towards integrating theology, Islamic law and the spiritual path. His model of a jurisprudentially-grounded Sufism is as relevant today as when he presented it to a mediaeval audience, using an aphoristic style tailored to his educated readership. The current growth of puritanical movements in the Islamic world makes Zarruq’s The Foundations of Sufism a must-read for scholars, educators and those seeking to reconcile various interpretations of the faith. The author of this fresh translation, an Arabic and Classical Sufism scholar, consulted newly-discovered manuscripts in preparing his critical edition of this seminal work.
With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.
DIVA theoretically informed cultural study of the design, production, and circulation of Indian calendar art./div
10 Useful but dangerous: photography and the Madras School of Art, 1850-73 -- 11 Temporal transformations: terracotta and trash -- Index
Meena Khandelwal offers an engaging and intimate portrait of extraordinary Hindu women in India who wear "ochre robes," signifying their renunciation of marriage and family for lives of celibacy, asceticism, and spiritual discipline. While the largely male Hindu ascetic tradition of sannyasa renders its initiates ritually "dead" to their previous identities, the women portrayed here are very much alive. They struggle with, and joke about, the tensions and ironies of living in the world while trying not to be of it. Khandelwal juxtaposes the common refrain that "in renunciation there is no male and female" with arguments that underscore the importance of gender. In exploring these apparent contradictions, she brings together worldly and otherworldly values within renunciation and argues that these create tensions that are at once emotional, social, and philosophical.
This catalogue focuses on the illustrious Tilkayat Govardhanlalji who is considered the most important in Nathdwara’s history. Containing 55 paintings arranged chronologically. The paintings are done by various artists in different media and subject, the common element being Tilkayat Govardhanlalji. They were exhibited in December 2013.
The rhinoceros is an iconic animal. Three species once inhabited South Asia, two of which disappeared over a century ago. This survey aims to reconstruct the historical distribution of these large mammals resulting in new maps showing the extent of their occurrences. Thousands of sources varied in time and nature are used to study the interactions between man and rhinoceros. The text is supported by over 700 illustrations and 38 maps showing the importance of the rhinoceros in the scientific and cultural fabric of Asia and beyond.
Reading Śiva is an illustrated bibliography on the Hindu god Śiva in the arts, crafts, coins, seals and inscriptions from South and Southeast Asia. It results from a century of ABIA bibliographic work and covers over 1500 academic publications since 1672. This scholarly and multi-disciplinary volume offers keyword-indexed annotations. The detailed indices on authors, geographic terms and subjects enable an easy search through the data. Links with the entries to resource repositories (such as JSTOR, Persée, Project MUSE, Academia.edu, ResearchGate and the Internet Archive) and links added to the sumptuous illustrations immediately take you to these resource sites.