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Moving Color
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
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Besieged
From ancient times to the present, great sieges have had an enormous impact on the shaping of world history. Now, in this spectacular, fully-illustrated volume, one hundred of the world's most monumental and mind-boggling sieges are laid out in detail. Besieged covers the most important sieges from around the world throughout history--from Joshua's assault on Jericho in the fifteenth century B.C. to the Russian attack on the Chechen capital of Grozny at the end of the twentieth. Each entry provides the name and date of the siege, its exact location in terms of today's world, the number of forces engaged, when known, the names of the commanders on each side, and the overall importance of the ...
