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An illustrated history of one of America's premier private universities, from its beginnings in 1831, and within the context of the social, political, and economic history of New York City. Vividly illustrated with both historical and contemporary images, the relationship between university and city is examined through biographical portraits of the personalities who made contributions to both. 250 illustrations.
In this richly illustrated volume, Joan Marans Dim and Nancy Murphy Cricco bring together a wide range of historical materials to craft a remarkable institutional history of New York University. The Miracle on Washington Square charts the parallel emergence of New York City and its namesake university into international prominence. Synthesizing an array of institutional and archival documentation with a unique visual history, the authors provide insight into the making of a university and the leadership required for its continued growth.
The essays in this book, written by people involved either involved in the strike (graduate students, faculty, organizers) or who are nationally recognized writers on academic labor, offers lessons on what the GSOC strike says about the current role of the university in public life, and how the pressure for universities to realign themselves along the lines of private corporations has broad implications for the future of higher education.
A comprehensive edition and commentary of 77 ostraka Ostraka in the Collection of New York University is a comprehensive edition and commentary of 77 ostraka, or potsherds with ancient texts written on them, from Greco-Roman and late antique Egypt. Seventy-two of these ostraca are housed in NYU Special Collections, originally purchased by Caspar Kraemer in 1932, then the chair of the NYU Classics Department. Although Kraemer advertised the imminent publication of the texts in 1934 and later collaborated with the famed papyrologist Herbert Youtie, neither completed the project. The ostraka in this small collection span the 2nd century BCE to the 8th century CE and include both Greek and Copti...
African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Provides a look at New York University from the students' viewpoint.