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'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
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Files contain material such as art exhibition catalogues, invitations, press clippings, media releases and/or other ephemeral items relating to Australian artists and galleries,where there are more than three artists exhibiting at the one exhibition. Other material may be collected under individual artists in the Australian Art and Artists file.
Includes leaflets, catalogues and invitations to exhibitions held at the Newcastle City Art Gallery, 1945-1988.
'Reveals an until-now hidden history of women's self-portraiture. A gift that keeps on giving' ALI SMITH, NEW STATESMAN, Books of the Year 'A fascinating survey . . . Extraordinary' DAILY MAIL 'A bewitching, invigorating history' OLIVIA LAING 'Grips from the opening pages' FINANCIAL TIMES 'Important and brilliantly accessible' VOGUE Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapprova...
Inspired by T. S. Eliot's famous poem, The Waste Land, Marilyn Peck has created the 48 paintings in watercolour, most of them miniatures measuring 100 x 100mm and reproduced at the same size. These appear alongside her texts which echo the sentiments expressed by Eliot, but which are evoked by her own memories of growing up in Australia.