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Pulitzer Prize–winning author David J. Garrow’s stirring and essential history of the politics of abortion and America’s battle for the right to choose In 1973, the Supreme Court handed down its landmark Roe v. Wade decision legalizing abortion, and more than forty years later the issue continues to spark controversy and divisiveness. But behind this historic legal case lie the battles women fought to establish their rights to use contraceptives and choose to have an abortion. Liberty and Sexuality traces these political and legal struggles in the decades leading up to Roe v. Wade—including the momentous 1965 Supreme Court ruling in Griswold v. Connecticut that established a constitu...
This book analyzes how French dramatists reproduced certain images of India such as the burning widow, the lowly pariah or untouchable, and the exotic 'bayadere' or dancing girl in four plays and one ballet written from the eighteenth century through the twentieth centuries. Addressing questions of Orientalism, the book also argues that it was because the French lost their Indian colonies to the Briish in the eighteenth centuries that India became a part of the French literary imagination.
The first comprehensive guide to the Hudson since the works of Ernest Ingersoll were published in the early 1900s, this guidebook arrives to fill the need for a detailed, point-by-point guide to the river from its intersection with the Atlantic to its source in the Adirondacks. Adams offers his reader five routes by which to tour the region. The traveler can venture directly up the main steamboat channel, or choose road and rail routes on the east and west shores of the river. Maps for each route are included, together with suggestions for excursions to many points of local and historical interest along the way. Over 250 photographs and paintings, and excerpts from American authors pepper the book, giving multiple perspectives of the region's long history. For the armchair as well as the actual traveler, from the Abyssal Plain to Doodletown and Chevaux de-Frise, past Anthony's nose, Burden's ironworks, and the Saratoga Battle Field to the Hudson's source at Lake Tear of the Clouds - this is the perfect traveling guide to the Hudson River region, rich in its history and culture, and ever-plentiful in its breathtaking sights.
Explores the lives of Charity Bryant and Sylvia Drake, two ordinary middle-class women who serve as a window on historical constructs of marriage, gender, and sexuality in late 18th-century and early 19th-century America. Both were born in Massachusetts, but in different towns, 11 years apart. Charity's attachment to women was so blatant that after she turned 20, her father told her to leave the house. She worked as a schoolteacher, but was forced to leave jobs several times because of hurtful gossip about her relationships with other women. In early 1807, Charity moved to Vermont to stay with a friend, and there she met Sylvia. The two fell in love, set up housekeeping, and considered themselves married. Gradually, their family members and the residents of Weybridge did as well. Charity and Sylvia became integral to the community, attending church, running their tailor shop, and contributing to charitable endeavors. Most of all, Charity and Sylvia remained passionately committed to each other and refused to hide their relationship. An important work of history that resonates with one of today's most public debates.
In a major rethinking of the functions, methods, and aims of narrative poetics, David Herman exposes important links between modernist and postmodernist literary experimentation and contemporary language theory. Ultimately a search for new tools for narrative theory, his work clarifies complex connections between science and art, theory and culture, and philosophical analysis and narrative discourse. Following an extensive historical overview of theories about universal grammar, Herman examines Joyce's Ulysses, Kafka's The Trial, and Woolf's Between the Acts as case studies of modernist literary narratives that encode grammatical principles which were (re)fashioned in logic, linguistics, and...
Besides the groundbreaking novels and stories that brought him fame, William Faulkner throughout his life wrote letters—to his publisher, his lovers, his family, and his friends. In this first major study of epistolarity in Faulkner's work, James G. Watson examines Faulkner's personal correspondence as a unique second canon of writing, separate from his literary canon with its many fictional letters but developing along parallel lines. By describing the similarity of forms and conventions in Faulkner's personal and fictional correspondence, Watson clearly demonstrates that Faulkner's personal experience as a writer of letters significantly shaped his imaginative work early and late. Letter...
The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial...
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
Dramatist, theatre practitioner, novelist, and painter, August Strindberg’s diverse dramatic output embodied the modernist sensibility. He was above all one of the most radical innovators of Western theatre. This book provides an insightful assessment of Strindberg’s vital contribution to the dramatic arts, while placing his creative process and experimental approach within a wider cultural context. Eszter Szalczer explores Strindberg’s re-definition of drama as a fluid, constantly evolving form that profoundly influenced playwriting and theatrical production from the German Expressionists to the Theatre of the Absurd. Key productions of Strindberg’s plays are analysed, examining his theatre as a living voice that continues to challenge audiences, critics, and even the most innovative directors. August Strindberg provides an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on our understanding of contemporary theatre.