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Weird Fiction Quarterly - Folk Horror 2024
Weird Fiction Quarterly does Folk Horror! Once again we bring you the finest in our now-signature 500 word flash fiction and exquisite poetry contributions, featuring over 60 writers from all around the globe and a dubious burlap sackful of color illustrations by our own Sarah Walker! Visit a strange, quaint village where the yearly festival is Everything. Call on the cunning woman or the witch doctor for a cure that might cost your very soul. Go deep into the woods in search of what may be a monster—or some forgotten god that Must be Appeased. Find a famous cryptid or two in (very) unexpected places! However you think of Folk Horror, hold onto your garland of flowers, because, as with every issue of Weird Fiction Quarterly, there is no possible way to prepare yourself for what could pop up in these pages. Portals open and close; trees are not what they seem. Tales from different countries and cultures intermingle. From the wilds you hear the reel of bewitching pipes. Whether or not you follow them, folks, things around these parts are about to get really weird!
Omni-Verses
Science fiction poetry is a genre that combines the imaginative elements of science fiction with the creative power of poetry. It explores futuristic themes, technological advancements, alien encounters, and alternate realities through the medium of poetic language. In science fiction poetry, the possibilities are endless and the boundaries of reality are pushed to their limits. Through the power of language and imagery, science fiction poetry tackles themes of alienation, identity, and the implications of scientific advancements. It offers a unique perspective on the human condition, by reflecting on the potential consequences of our actions and exploring alternate realities. It serves as a mirror to our own world, enabling us to reflect on our own society and the choices we make. Volunteer Editor: W. J. Manares
The Best Horror of the Year
From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
Weirdbook #43
The 43rd issue of Weirdbook, under the editorship of Doug Draa, presents new tales of fantasy and horror in the grand Weird Tales tradition. Included this time are: Short Stories An American Story, by Darrell Schweitzer Impervious to Reason, Oblivious to Fate, by John R. Fultz The River, by Sharon Cullars Taking Out the Trash, by by D.C. Lozar Arthur Wardrobe And Asia Anastacia: A Love Story, by Andrew Darlington Snack Time, by Franklyn Searight Godlike, by By Edward Morris and Konstantine Paradias Ronkonkoma, by Glynn Owen Barrass The Fury of Angels, by Adrian Cole Keisha’s Dinosaur, by Nicole Givens Kurtz Will Home Remember Me?, by Joseph S. Pulver, Sr. You’re Gonna Love This Song, by Michael S. Walker Frozen Time, by Rivka Jacobs Lucien Greyshire and the Ghost from Applebee’s, by L.F. Falconer Plus a file selection of poetry by Jeff Barnes, Maxwell I. Gold, Neva Bryan, Ashley Dioses, K.A. Opperman, Ann K.Schwader, W.D. Clifton, Ngo Binh Anh Khoa, Chad Hensley, Frederick J. Mayer, and Gregg Chamberlain
Go Alone
For poet Tran Nhuan Minh, it is not the conflicts which are the center of poetry, but the way through and the way out of those conflicts... In this sense, Tran Nhuan Minh’s poetry is a warning and awakening messages... it challenges the boundaries between left and right, right and wrong, orthodox and unorthodox, south and north, past and future... Anyday, there are still unhappy people in this world, who need to share their faith and unhappiness… they will still search to read Tran Nhuan Minh’s poems. NGUYEN DUC TUNG (Poet and literary critic in Canada)
The Best of Eternal Haunted Summer: A Thirteenth Anniversary Edition
Hekate and Diana. Odin and Apollo. Freyja and the Witch-Lord. Eternal Haunted Summer was born in the late summer of 2009. It was created as a place where Pagans and polytheists and witches (and non-Pagans with a love of the old myths) could feature their short stories and poems and essays with those of a like mind and similar beliefs and practices. EHS has grown steadily over the years, due entirely to the wonderful contributors whose works fill its digital pages. Without their creativity and talent, EHS would not exist; it would have disappeared long ago. This thirteenth anniversary edition is a celebration of their work. I love every piece that appears in Eternal Haunted Summer, and I just wish that I could have included them all here. These poems, essays, and short stories range from tragic to triumphant, from exciting to despairing, from comic to horrific, from grotesque to sensual, from erotic to subtle; here you will find odes to terrible Gods, exciting tales of adventure, melancholy meditations on creation, and wonderings at the nature of human and divine hearts. These are the best of Eternal Haunted Summer. I hope that you find them as inspiring as I do.
HYPERPOEM
What is HYPERPOEM? Hyperpoem is a unique project that has literally become a new world monument of literature. Combining almost 2000 poets from more than 90 countries of the world, whose quatrains áre presented in 50 languages. It is a record work for all these achievements. And most importantly, such an important topic for the modern world as "International Friendship" resonated in the hearts of all participants in the Hyperpoem! But the Hyperpoem does not end there either: it is potentially a limitless work that involves an annual reissue. Thus; Hyperpoem can live for many more decades, inviting more and more new authors to. participate in the largest collective poem in history!
Nguyen Cochinchina
In this historical reassessment of southern Vietnam and its distinct culture, Li Tana illuminates the resourceful qualities of the Dong Trong pioneers, develops a meticulous analysis of the Nguyen trade and taxation systems, and, in the process, redefines the chief cause of the Tay Son rebellion. Li Tana's study focuses on the socio-economics of Nguyen Cochinchina, such as: the role of foreign merchants, the region's trading economy, demographic influences, religious and cultural values, how Nguyen rule affected Vietnamese settlers, relationships with uplanders, and processes of localization and identity formation.
Bách khoa
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