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Begin with 1918 Niagara-on-the-lake: its opulence and extravagance, the actors and the elite, the tennis and golf and lawn bowling, and the promise of a fantastical amusement park lifestyle. The region is thriving. Sir Adam Beck is building the world’s largest hydro power station. Nikola Tesla has found a way to make electricity accessible to all of humanity. And a man named King Camp Gillette has developed plans for a futuristic utopian society that would have the mighty Niagara River as its lifeblood. Add two men with special abilities and powerful incentives. Jack Saunders is a troubled veteran of the First World War who desperately wants to make a good life for his beloved wife and friends, but his addictions and impulsive behaviour keep turning his noble intentions into disaster. Aaron O’Malley is an affluent business owner who sees that the region is on the verge of an evolution, one that he must cultivate for his personal gain. But O’Malley needs Jack. He preys upon his vulnerability and draws him into an ambitious scheme that he claims will bring wealth and power beyond their wildest dreams. History is about to change, and Jack is the key to its outcome.
In this synthesis of urban geography and environmental studies, ten scholars explore the complex physical and human characteristics of Canada's best known region. They attempt to formulate a geopolitical blueprint for preservation of both the natural elements and future enterprise.
By early 1814, a new threat was looming across the Niagara River, as a vastly improved American army prepared for a new invasion attempt. The Tide of War recounts the first six months of the calamitous and crucial year’s campaigning on the "Northern frontier" and the fight to control Upper Canada.
Covering Niagara: Studies in Local Popular Culture closely examines some of the myriad forms of popular culture in the Niagara region of Canada. Essays consider common assumptions and definitions of what popular culture is and seek to determine whether broad theories of popular culture can explain or make sense of localized instances of popular culture and the cultural experiences of people in their daily lives. Among the many topics covered are local bicycle parades and war memorials, cooking and wine culture, radio and movie-going, music stores and music scenes, tourist sites, and blackface minstrel shows. The authors approach their subjects from a variety of critical and historical perspectives and employ a range of methodologies that includes cultural studies, textual analysis, archival research, and participant interviews. Altogether, Covering Niagara provides a richly diverse mapping of the popular culture of a particular area of Canada and demonstrates the complexities of everyday culture.
Historical papers are prefixed to several issues.
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