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Queer in the Choir Room
These new essays examine the many ways that issues of gender and sexuality intersect with other identities and practices--including race, religion, disability, music and education--on the Fox hit program Glee. With gender and sexuality concerns at the crux, the authors tackle such specific aspects of the show as the coming out narrative, Glee fandom and fan fiction, representation of sex education, and the intersection of Broadway music and queerness. The aim of these essays is to open up a dialogue about Glee--which is often dismissed by critics and fans alike--and to reveal how scholars are critically engaging with the show around issues of gender and sexuality.
Rolling in the Third Eye
John Thomas Allen is from New York. He has edited the anthology of Surrealist poetry entitled "Nouveau's Midnight Sun: Transcriptions from Golgonooza and Beyond" (Ravenna Press, 2014). His latest book entitled "Lumi�re" was published by NightBallet Press in 2014. In 2019, he won James Tate Poetry Prize for this chapbook.
The Covalence of Equanimity
Gary Glauber is a New York-based poet, fiction writer, journalist, musician, and teacher. He has published two collections, "Small Consolations" (Aldrich Press, 2015) and "Worth the Candle" (Five Oaks Press, 2017), as well as a chapbook, "Memory Marries Desire" (Finishing Line Press, 2016). This book won James Tate Poetry Prize 2019.
Spontaneous Mummification
John Bradley is the author of "Erotica Atomica," "Agitprop," and "Everything in Motion, Everything at Rest." His poetry and prose have appeared in "Calibanonline," "Dispatches from the Poetry Wars," "Hotel Amerika," "SurVision," and other journals. He frequently reviews books of poetry for "Rain Taxi." This collection won James Tate Poetry Prize 2019.
NIV: 39 & 27
Poetry. LGBT Studies. "In Nicholas Alexander Hayes' debut volume, the Dadaist transforms his inchoate sensibility into a form of exegesis. He re-gifts the 'gift' of Gideon bibles found in motel drawers, the Baghavad-Gita handed out in airports. Sometimes damage is itself a form of readerly, writerly love. Out of the harm imposed on these holy texts a new whole emerges, transmuting received wisdom into new propositions, fully filled with the echo of the thought they both betray and express, or re-express, with a strange and haunting wisdom of their own. The result is no joke. The result is a book compulsively readable and, running counter to that fine quality, a set of sentences almost philosophical in their power--sentences which stop the reader from turning the page because the reader's mind has suddenly been opened"--Dan Beachy-Quick.
Fruit
Matthew Geden was born and brought up in the English midlands. In 1990, he moved to Kinsale in County Cork, where he now works as the Director of Kinsale Writing School. His collections of poetry include "Swimming to Albania" (Bradshaw Books, 2009) and "A Place Inside" (Dedalus Press, 2012). His translations from Guillaume Apollinaire were published as "Autumn" (Lapwing, 2003). In November 2019 he was Writer in Residence at Nanjing Literature Centre, China.
Tangent of Ardency
Thomas Townsley grew up in Central Pennsylvania and received his Master's Degree in English and Creative Writing from Syracuse University in 1983. Recent publications include "Reading the Empty Page" and "Night Class for Insomniacs" (Black Rabbit.) A collection of experimental Sapphic verse, "Babel's Rebuilding," is due later in 2020, also from Black Rabbit. Townsley is an English professor at Mohawk Valley Community College in Utica, New York.
Are We Feeling Better Yet?
Arguably, no other contemporary issue has stirred so passionate debate as health care reform. In this collection of 21 essays, women from around the country advance this discussion by recounting their individual efforts to access and receive quality health care within the formidable structure of the U.S. health care system. Their many voices speak with clarity, poignancy, and humor about situations familiar to all who have entered a health care setting on behalf of themselves or their loved ones. These penetrating stories cover a spectrum of health care conditions, but they unify around themes of strong self-advocacy and personal empowerment. The book is an enlightening read bot only for health acre consumers, but also for health care students, professionals, and for health policymakers.
Carry the One
When a car of inebriated guests from Carmen's wedding hits and kills a girl on a country road, Carmen and the people involved in the accident connect, disconnect, and reconnect throughout twenty-five subsequent years of marriage, parenthood, holidays, and tragedies.
Claiming a Body
The stories in Amanda Marbais's Claiming a Body read like dispatches from a frontline strewn with infected relationships, metastasizing anxieties, and cultural fatigue. Propelled by sympathetic characters and assertive voices that both capture and convey a uniquely contemporary dread, these virtual confessions reveal life at its most negotiable: a woman overcomes her fear of both commitment and grizzlies in the unspoiled wilderness of Glacier National Park; a couple cons friends one last time in the decaying rustbelt before turning on each other; the son of a poultry farmer struggles with inhumane practices while resisting the undercurrent of violence in his high school. Just as Marbais' characters seek to cross painful thresholds and unearth their better selves, her collection finds ways to communicate across traditional genre lines, bringing together such disparate styles as noir, environmental fiction, and speculative fiction. Woven throughout is a hard-wrought prose that crackles with a steady stream of references to the modern American landscape that is frequently to blame for the chaos left in its wake.
