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When Life Gives You Risk, Make Risk Theatre
Creators, Innovators, and Theatremakers: Defy the Smallness of the Stage With the Greatness of Your Daring Wong’s first book upended tragic literary theory by arguing that risk is the dramatic fulcrum of the action. It also launched an international playwriting competition (risktheatre.com). His second book expands on how chance directs the action, both on and off the stage. Inside you will find three risk theatre tragedies by acclaimed playwrights: In Bloom (Gabriel Jason Dean), The Value (Nicholas Dunn), and Children of Combs and Watch Chains (Emily McClain). From the poppy fields of Afghanistan to the motel rooms and doctors’ offices lining interstate expressways, these plays—by simulating risk—will show you how theatre is a dress rehearsal for life. Six risk theatre essays round off this volume. In a dazzling display from Aeschylus to Shakespeare, Thomas Hardy, and Arthur Miller, Wong reinterprets theatre through chance and probability theory. After risk theatre, you will never look at literature in the same way. Tomorrow, Whoever Says Drama will Say Risk
The Risk Theatre Model of Tragedy
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Never Out of Season
The bananas we eat today aren't your parents' bananas: We eat a recognizable, consistent breakfast fruit that was standardized in the 1960s from dozens into one basic banana. But because of that, the banana we love is dangerously susceptible to a pathogen that might wipe them out. That's the story of our food today: Modern science has brought us produce in perpetual abundance once-rare fruits are seemingly never out of season, and we breed and clone the hardiest, best-tasting varieties of the crops we rely on most. As a result, a smaller proportion of people on earth go hungry today than at any other moment in the last thousand years, and the streamlining of our food supply guarantees that t...
27 Short Plays
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An Essay on the Tragic
This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.
Lyle Family
Excerpt from Lyle Family: The Ancestry and Posterity of Matthew, John, Daniel and Samuel Lyle, Pioneer Settlers in Virginia The aim of this book is to preserve to posterity facts of interest per taining to the Lyle family. That the book has errors is more than probable, since much of the information received in correspondence was variable in dates and in the spelling of proper names. For such errors as appear, the explanation lies in my telling the tale as told to me. It has taken years to gather what the book contains. But a few years of delay would have made almost impossible of discovery many of the facts that are presented. In successful effort, in obliging pos. About the Publisher Forgo...
Tragedy and Philosophy
A critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives.
