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The Greatest Gifts . . . Are Always Unexpected ... Lady Noelle has no intention of marrying just to save her family’s castle. She feels nothing for Sir Gavin, the man who will become her husband on Christmas Day. Then she spies Camelot’s newest knight, the notorious Sir Nicholas the Dragon, a champion as renowned for his prowess in the beds of Camelot’s maidens as for his skill in battle. Noelle’s heart has found the man she longs for, even as her hand is promised to another. Sir Nicholas’s only loyalty is to his king, whose orders are clear. he is to fend off the enemy besieging Noelle’s castle and bring the lady safely back to Camelot for her wedding day. But spending time with the proud beauty awakens an irresistible hunger in him. Now, as desire does battle with duty, Nicholas has only two choices --to surrender the woman he loves to another man or fight to the end to make her his own.
Expelled from school, advised to leave university, and forced to resign from the army, Captain Jacinth Crewe has few options. He joins a sinister British Government security organisation. He trains in Rome and there is one final mission - to kill an American diplomat and his wife. The choice has to be made. And there is no turning back.
In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences. The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained i...
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This book presents careful readings of six of the most important theoretical works of Nicholas of Cusa (1401-1463). Though Nicholas' writings have long been studied as either scholastic Aristotelian or proto-Kantian, Clyde Lee Miller locates Cusanus squarely in the Christian Neoplatonic tradition. He demonstrates how Nicholas worked out his own original synthesis of that tradition by fashioning a conjectural view of main categories of Christian thought: God, the universe, Jesus Christ, and human beings. Each of the readings reveals how Nicholas' project of "learned ignorance" is played out in striking metaphors for God and the relation of God to creation.