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The Melody of Time
Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
Schubert's Fingerprints: Studies in the Instrumental Works
As Robert Schumann put it, 'Only few works are as clearly stamped with their author's imprint as his'. This book explores Schubert's stylistic traits in a series of chapters each discussing an individual 'fingerprint' with case studies drawn principally from the piano and chamber music. The notion of Schubert's compositional fingerprints has not previously formed the subject of a book-length study. The features of his personal style considered here include musical manifestations of Schubert's 'violent nature', the characteristics of his thematic material, and the signs of his 'classicizing' manner. In the process of the discussion, attention is given to matters of form, texture, harmony and ...
A to Z of Earth Scientists, Updated Edition
A to Z of Earth Scientists, Updated Edition is a comprehensive A to Z reference of Earth scientists in areas including plate tectonics, climate change, and planetary science. Designed for high school through early college students, this is an ideal reference of notable Earth scientists from the 19th century to the present. Featuring nearly 200 entries and 100 black-and-white photographs, this title uses the device of biography in order to put a human face on science—a method that adds immediacy to the prose for the high school student who may have an interest in pursuing a career in the earth sciences. People covered include: James Hutton (1726–1797) William Smith (1769–1839) Charles Lyell (1797–1875) Mary Anning (1799–1847) Inge Lehmann (1888–1993) Walter Alvarez (1911–1988) Doris Malkin Curtis (1914–1991) Marie Tharp (1920–2006) David Keeling (1928–2005) Dawn Wright (1961–present)
Brahms Beyond Mastery
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from differ...
Basement Tectonics 8
The 8th International Conference on Basement Tectonics was held in Butte, Montana, August 8-12,1988. Historically, basement tectonics conferences have focused on such topics as reactivation of faults, the influence of basement faults on metallogeny and hyrocarbon accumulation, and the use of geophysical and remote sensing techniques to interpret subsurface and surface geology. The 8th Conference diverged from past conferences in that a unifying theme was selected. Because ancient major terrane or cratonic boundaries are often postulated to be fault zones which are subsequently reactivated, the conference was organized to examine all aspects of ancient continental margins and terrane boundari...
Explaining Tonality
A defense of Schenkerian analysis of tonality in music.
Scientific Bulletin
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