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A catalogue of a travelling exhibition of 150 archaeological and ethnographic objects owned by the Canadian Museum of Civilization.
In this first collection on the history of the body in Canada, an interdisciplinary group of scholars explores the multiple ways the body has served as a site of contestation in Canadian history in the nineteenth and twentieth centuries.
Jack Nisbet first told the story of British explorer David Thompson, who mapped the Columbia River, in his acclaimed book Sources of the River, which set the standard for research and narrative biography for the region. Now Nisbet turns his attention to David Douglas, the premier botanical explorer in the Pacific Northwest and throughout other a...
Museums and cultural centres play an important role in the re-emergence of cultural autonomy in indigenous societies. The May 1994 symposium, Curatorship: Indigenous Perspectives in Post-Colonial Societies, examined the realignment of relationships between indigenous and non-indigenous peoples of the Commonwealth in the context of traditional museum practices. It supported the right of Indigenous peoples to control the management of their cultural heritage and underlined the need for redefining museum models.
The Bungling Host motif appears in countless indigenous cultures in North America and beyond. In this groundbreaking work Daniel Clément has gathered nearly four hundred North American variants of the story to examine how myths acquire meaning for their indigenous users and explores how seemingly absurd narratives can prove to be a rich source of meaning when understood within the appropriate context. In analyzing the Bungling Host tales, Clément considers not only material culture but also social, economic, and cultural life; Native knowledge of the environment; and the world of plants and animals. Clément’s analysis uncovers four operational modes in myth construction and clarifies the relationship between mythology and science. Ultimately he demonstrates how science may have developed out of an operational mode that already existed in the mythological mind.
A three-year collaboration between the Gwich’in — the most northerly of Canada’s Athapaskan peoples — the Canadian Museum of History and the Prince of Wales Northern Heritage Centre results in a revival of skills and knowledge employed in making traditional clothing of caribou skin. Over 40 seamstresses create five reproductions of an elegant 19th century summer outfit from the collection of the Canadian Museum of History. This richly illustrated book is an indispensable resource on Gwich’in culture and heritage, and on modern partnerships between museums and First Nations.
Drawing on artifacts held in the collections of the Canadian Museum of History, this book provides a fascinating look at the richness of Mi’kmaq and Maliseet cultural practice, technological ingenuity and artistic expression. Designed as a finding aid, this book will undoubtedly become a helpful resource for Aboriginal Peoples, scholars, teachers and the general public. Objects such as baskets, canoes, clothing, moccasins and tools are illustrated with full-colour photographs, and are accompanied by a brief text describing the object and its provenance. The result is a comprehensive reference tool for researchers and educators alike.
Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum,...
This title in the acclaimed Kids Book of series offers an in-depth look at the cultures, struggles and triumphs of Canada’s first peoples.
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