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Award-winningfilm historian Patrick McGilligan follows hisacclaimed biographies of Alfred Hitchcock and Oscar Micheauxwith a revelatory look at the life of Nicholas Ray, the troubled director of Ina Lonely Place, We Can’t GoHome Again, and Rebel Without a Cause. McGilligancharts the cerebral struggles, astonishing adventures, and artistic triumphsthat defined Ray’s life, including his Hollywood collaborations with HumphreyBogart, Robert Mitchum, James Cagney, and James Dean;his love affairs with Marilyn Monroe, Jayne Mansfield, ZsaZsa Gabor, and Gloria Grahame; his partnerships withactivist Abbie Hoffman, pornography starlet MarilynChambers, photographer Wim Wenders;and more. Celebrating, contextualizing, and examining Ray’s life and work, McGilligandelivers a milestone of film history and offers a captivating look at one ofclassic cinema’s most colorful figures.
One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.
A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.
Using security scanners and x-ray machines, Veasey creates beautiful, unsettling, inside-out images that reveal the intricacy of everyday objects, animals, and plants. The process may take weeks or months, but the results speak for themselves.Viking Studio
"Now, at last, we have a book by and about Nicholas Ray (along with a moving and very beautiful introduction by Susan Ray). If you have any interest in this man, his life and work, filmmaking, or movies and art in general, read I Was Interrupted."—Jim Jarmusch
The early essays of the most influential French film critic of the post-68 period. The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. The Footlights stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinéma by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini’s Saló to Spielberg’s Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.
Bobby Cinema has written seven detective stories in one book about each different character going through solving a difficult case, being in the action and deal with real intensive stuff they had to go through from solving cases. For these seven ordinary detectives and their team, their work usually ends up in a library, which is their sanctuary and a place to read and relax at the same time. The first detective series is called Raymond: Librarian PI. Ray Levenstein, a former FBI agent, took over the head librarian job from his friend Jerry who helped him get in the LAPD police academy and became his mentor when he grew up. He was forced into retirement when he was shot in the line of fire w...
Documents a volatile and productive moment in the development of film studies. In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century. Drawing on interviews with faculty, students, and visiting artists, MacDonald weaves together an engaging conversation that explores the academic exciteme...
In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic. From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
Renowned storyteller Dee Brown, author of the bestselling Bury My Heart at Wounded Knee, recreates the struggles of Native Americans, settlers, and ranchers in this stunning volume that illuminates the history of the old West that’s filled with maps and vintage photographs. Beginning with the demise of the Native Americans of the Plains, Brown depicts the onrush of the burgeoning cattle trade and the waves of immigrants who ultimately “settled” the land. In the retelling of this oft-told saga, Brown has demonstrated once again his abilities as a master storyteller and an entertaining popular historian. By turns heroic, tragic, and even humorous, The American West brings to life America...