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Here is proof that the lives of ordinary people can have an extraordinary impact. This book is complied as a literary photo album; the theme is my grandparents, Nick and Ineke Willems. Come and be a part of the Willems’ family for a short while, and allow yourself to be challenged by what you read. Nick and Ineke have literally influenced thousands of people, both directly and indirectly—I hope that, as you read, you become the next person whose life they touch.
Flames of Freedom features a highly readable mixture of anecdotes of people whose lives were changed by the revival that started in Saskatoon, Canada in 1971 and spread to many areas of the U.S., Europe, and India. Lutzer then delves further into the subject of revival in both scriptural and contemporary terms. A must-have for Christians hungry for revival in their own churches!
Like many apparently simple devices, the vertical water wheel has been around for so long that it is taken for granted. Yet this "picturesque artifact" was for centuries man's primary mechanical source of power and was the foundation upon which mills and other industries developed. Stronger than a Hundred Men explores the development of the vertical water wheel from its invention in ancient times through its eventual demise as a source of power during the Industrial Revolution. Spanning more than 2000 years, Terry Reynolds's account follows the progression of this labor-saving device from Asia to the Middle East, Europe, and America-covering the evolution of the water wheel itself, the development of dams and reservoirs, and the applications of water power.
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The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of “place,” and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.