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At the start of the twentieth century, the modern metropolis was a riot of sensation. City dwellers lived in an environment filled with smoky factories, crowded homes, and lively thoroughfares. Sights, sounds, and smells flooded their senses, while changing conceptions of health and decorum forced many to rethink their most banal gestures, from the way they negotiated speeding traffic to the use they made of public washrooms. The Feel of the City exposes the sensory experiences of city-dwellers in Montreal and Brussels at the turn of the century and the ways in which these shaped the social and cultural significance of urban space. Using the experiences of municipal officials, urban planners, hygienists, workers, writers, artists, and ordinary citizens, Nicolas Kenny explores the implications of the senses for our understanding of modernity.
Straying -- Biting -- Suffering -- Thinking -- Defecating.
Drawing on a body of research covering primarily Europe and the Americas, but stretching also to Asia and Africa, from the mid-eighteenth century to the present, this book explores the methodological and heuristic implications of studying cities in relation to one another. Moving fluidly between comparative and transnational methods, as well as across regional and national lines, the contributors to this volume demonstrate the necessity of this broader view in assessing not just the fundamentals of urban life, the way cities are occupied and organised on a daily basis, but also the urban mindscape, the way cities are imagined and represented. In doing so the volume provides valuable insights into the advantages and limitations of using multiple cities to form historical inquiries.
Art, in its many forms, has long played an important role in people’s imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical ’Grand Tours’ during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of ’touristic’ places, locals, ...
One of the oldest metropolitan areas in North America, Montreal has evolved from a remote fur-trading post in New France into an international center for services and technology. A city and an island located at the confluence of the Ottawa and St. Lawrence Rivers, it is uniquely situated to serve as an international port while also providing rail access to the Canadian interior. The historic capital of the Province of Canada, once Canada's foremost metropolis, Montreal has a multifaceted cultural heritage drawn from European and North American influences. Thanks to its rich past, the city offers an ideal setting for the study of an evolving urban environment. Metropolitan Natures presents or...
In a brilliant history of a turbulent time and place, Mills pulls back the curtain on the decade s activists and intellectuals, showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex, race, and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-imperialist resistance. The temporary unity forged around ideas of decolonization came undone in the 1970s, however, as many were forced to come to terms with the contradictions and ambiguities of applying ideas of decolonization in Quebec. From linguistic debates to labour unions, and from the political activities of citizens in the city s poorest neighbourhoods to its Caribbean intellectuals, The Empire Within is a political tour of Montreal that reconsiders the meaning and legacy of the city s dissident traditions. It is also a fascinating chapter in the history of postcolonial thought.
The essays collected here explore the possibilities and limits presented by "The Liberal Order Framework" for various segments of Canadian history, and within them, the paramount influence of liberalism throughout the nineteenth and twentieth centuries is debated in various contexts.
This companion volume to Revisiting 1759 examines how the Conquest of Canada has been remembered, commemorated, interpreted, and reinterpreted by groups in Canada, France, Great Britain, the United States, and most of all, in Quebec. It focuses particularly on how the public memory of the Conquest has been used for a variety of cultural, political, and intellectual purposes. The essays contained in this volume investigate topics such as the legacy of 1759 in twentieth-century Quebec; the memorialization of General James Wolfe in a variety of national contexts; and the re-imagination of the Plains of Abraham as a tourist destination. Combined with Revisiting 1759, this collection provides readers with the most comprehensive, wide-ranging assessment to date of the lasting effects of the Conquest of Canada.
One of the most enduring images of Quebec’s Quiet Revolution is of Charles de Gaulle proclaiming “Vive le Québec libre!” from the balcony of Montreal City Hall in 1967. The French president’s provocative act laid bare Canada’s unity crisis and has dominated interpretations of the Canada-Quebec-France triangle ever since. With Friends like These demystifies this cri du balcon by shifting the focus from de Gaulle to the broader domestic and international forces at play. Meren traces the evolution of Quebec’s special relationship with France after the Second World War and reveals that the resulting clash of nationalisms – French, Québécois, and Canadian -- was fuelled not only by personalities and events but also by the efforts to respond to the power and influence of the United States in an increasingly interconnected world. By seeking to understand, rather than simply condemn, aspects of Quebec, Gaullist, and Canadian nationalism, Meren casts doubt on established interpretations of events and exposes the complexity of a growing international interest in Canadian affairs.