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Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux’s influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects – the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux – reveal the architect’s allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect.
Studied almost exclusively as a literary humanist, Nicolas de Clamanges (ca. 1363/1364-1437) was closely involved in the Great Western Schism, French humanism, politics at the University of Paris, and Church reform. Far more than an elegant writer, this Parisian scholar and sometime papal secretary was an important but until now unjustly neglected religious reformer. In Part One of this volume, Christopher M. Bellitto presents a biography of Clamanges' life and a survey of his writings within the multiple contexts in which he operated: schism, Hundred Years' War, Parisian humanism, French civil war. It places his literary images of a troubled Church within the framework of his ideas of the humanism of reform, identifying his great debt to Pauline and Augustinian ideas of the interplay of divine and human activities. Part Two explores Clamanges' normative emphasis on personal reform, which was essentially a via purgativa that drew on monastic piety and late medieval spirituality, especially the imitation of Christ in the Modern Devotion. His was an inside-out reform that radiated from the heart of the individual Christian through the rest of the Church. In Clamanges' writings, we he
Set in Paris in the 1780s, Rétif de la Bretonne's Ingénue Saxancour is a thinly veiled account of his daughter's disastrous marriage to an abusive husband. From the time of her marriage in January, 1780, until she left her husband in July, 1785, Agnès Rétif suffered continually from severe physical, sexual, and emotional abuse. Published in 1789, Rétif's novel scandalized the public with its graphic descriptions of his son-in-law's sexual perversity and brutal violence. Rétif's novel remains shocking more than two centuries later and continues to raise disturbing questions about power relations within abusive relationships. Perhaps most disturbing of all are the accusations leveled aga...