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Realizing the Impossible
Looks at the history of the depiction of anti-authoritarian social movements in art.
My Body, Our Rights
Radical cartoonists tell it like it is about abortion, contraception, healthcare, and identity. The cartoonists of World War 3 Illustrated present comics on living in the body in a hostile society. From personal testimonies to collective chronicles, over 30 artists and writers deploy graphic evidence that bodily autonomy is essential to the individual and to communities. Abortion is revealed as lived by generations before and after being legalized. The mythic roots of misogyny, the rigid rules of gender, are exposed as outdated shams. Brave new lives are charted through the wilderness of broadening possibilities and furious backlash. Artists, activists, healthcare workers, and students unite in the belief that while my body is mine alone, our rights are always social, and must be named and claimed in the public sphere. Once again WW3 elevates truth-telling to the art of resistance. Artists include: Roberta Gregory, Sabrina Jones, Sue Coe, Trina Robbins, Paula Hewitt Amram, Lee Marrs, Joyce Farmer, Rebecca Migdal, Sandy Jimenez, Seth Tobocman, Peter Kuper and many others.
Becoming Judy Chicago
Born to Jewish radical parents in Chicago in 1939, Judy Cohen grew up to be Judy Chicago—one of the most daring and controversial artists of her generation. Her works, once disparaged and misunderstood by the critics, have become icons of the feminist movement, earning her a place among the most influential artists of her time. In Becoming Judy Chicago, Gail Levin gives us a biography of uncommon intimacy and depth, revealing the artist as a person and a woman of extraordinary energy and purpose. Drawing upon Chicago’s personal letters and diaries, her published and unpublished writings, and more than 250 interviews with her friends, family, admirers, and critics, Levin presents a richly...
Paths toward Utopia
Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only tempo...
The City's End
From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.
Another Politics
Amidst war, economic meltdown, and ecological crisis, a “new spirit of radicalism is blooming” from New York to Cairo, according to Chris Dixon. In Another Politics, he examines the trajectory of efforts that contributed to the radicalism of Occupy Wall Street and other recent movement upsurges. Drawing on voices of leading organizers across the United States and Canada, he delivers an engaging presentation of the histories and principles that shape many contemporary struggles. Dixon outlines the work of activists aligned with anti-authoritarian, anti-capitalist, and anti-oppression politics and discusses the lessons they are learning in their efforts to create social transformation. The book explores solutions to the key challenge for today’s activists, organizers, fighters, and dreamers: building a substantive link between the work of “against,” which fights ruling institutions, and the work of “beyond,” which develops liberatory alternatives.
From Here to There
From Here to There collects unpublished talks and hard-to-find essays from legendary activist historian Staughton Lynd. The first section of the Reader collects reminiscences and analyses of the 1960s. A second section offers a vision of how historians might immerse themselves in popular movements while maintaining their obligation to tell the truth. In the last section Lynd explores what nonviolence, resistance to empire as a way of life, and working class self-activity might mean in the twenty-first century. Together, they provide a sweeping overview of the life, and work—to date—of Staughton Lynd. Both a definitive introduction and further exploration, it is bound to educate, enlighten, and inspire those new to his work and those who have been following it for decades. In a wide-ranging Introduction, anarchist scholar Andrej Grubačić considers how Lynd’s persistent concerns relate to traditional anarchism.
Zapatismo Beyond Borders
Examines the isgnificance of the Zapatista struggle within the broader context of North American political activism since 1994.
A Meeting of Minds
Written by Judith Skelton Grant, A Meeting of Minds is the definitive account of Massey College s first fifty years, its many traditions, and the hundreds of fellows who have passed through its halls."
Mr. Block
Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe. A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike. As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.
