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Modernism and the Avant-garde Body in Spain and Italy
This interdisciplinary volume interrogates bodily thinking in avant-garde texts from Spain and Italy during the early twentieth century and their relevance to larger modernist preoccupations with corporeality. It examines the innovative ways Spanish and Italian avant-gardists explored the body as a locus for various aesthetic and sociopolitical considerations and practices. In reimagining the nexus points where the embodied self and world intersect, the texts surveyed in this book not only shed light on issues such as authority, desire, fetishism, gender, patriarchy, politics, religion, sexuality, subjectivity, violence, and war during a period of unprecedented change, but also explore the c...
The Poetics of Otherness in Antonio Machado's 'proverbios Y Cantares'
Antonio Machado (1875-1939) is one of Spain’s most original and renowned twentieth-century poets and thinkers. From his early poems in Soledades. Galerías. Otros poemas of 1907, to the writings of his alter-ego Juan de Mairena of the 1930s, Machado endeavoured to explain how the Other became a concern for the self. In The Poetics of Otherness in Antonio Machado’s “Proverbios y cantares,” Nicolás Fernández-Medina examines how Machado’s “Proverbios y cantares,” a collection of short, proverbial poems spanning from 1909 to 1937, reveal some of the poet’s deepest concerns regarding the self-Other relationship. To appreciate Machado’s organizing concept of otherness in the ...
Modernism and the Avant-garde Body in Spain and Italy
This interdisciplinary volume interrogates bodily thinking in avant-garde texts from Spain and Italy during the early twentieth century and their relevance to larger modernist preoccupations with corporeality. It examines the innovative ways Spanish and Italian avant-gardists explored the body as a locus for various aesthetic and sociopolitical considerations and practices. In reimagining the nexus points where the embodied self and world intersect, the texts surveyed in this book not only shed light on issues such as authority, desire, fetishism, gender, patriarchy, politics, religion, sexuality, subjectivity, violence, and war during a period of unprecedented change, but also explore the c...
Humanizing Childhood in Early Twentieth-Century Spain
During the early twentieth century, a neo-humanist education reform burgeoned in Spain. Building upon the new science of child study, known as paidology, Spanish educators joined colleagues around the world in reading works by María Montessori, Édouard Claparède, Jean Piaget, John Dewey and other pioneers. Intellectuals such as Miguel de Unamuno, José Ortega y Gasset and contemporaries sought to contrast a degraded, positivist pedagogy with a humanistic, phenomenological understanding of the child. Education, they claimed, must adapt to the child's developing body and mind. Bringing together readings of Spanish intellectuals and New Education theorists, Anna Kathryn Kendrick argues that ...
Intellectual Philanthropy
What's in a nineteenth-century philanthropist? Fear of an uprising. But the frightened philanthropist has a remedy. Aware that the urban surge of the working-class masses in Spain would create a state of emergency, he or she devises a means to seduce the masses away from rebellion by taking on himself or herself the role of the seducer: the capitalist intellectual hero invested in the caretaking of the unpredictable working class. Intellectual Philanthropy examines cultural practices used by philanthropists in modern Iberia. It explains the meaning and role of intellectual philanthropy by focusing on the devices and apparatuses philanthropists devised to realize their projects. Intellectual ...
Morbidities and "The Concept of the New Literature"
Ramón Gómez de la Serna (1888-1963) was one of Spain’s most gifted avant-gardists. Oftentimes remembered as the inventor of the greguería—a type of witty and humorous epigram that recasts the commonplace and absurdities of everyday reality—he was a prolific writer and published dozens of novels, essays, short stories, articles, editorials, and biographies throughout his life. Two of his major works—the autobiography Morbidities (1908), and the manifesto “The Concept of the New Literature” (1909)—belong to his earliest period of experimentation. These two early works are of singular importance not only in understanding his development as an avant-gardist, but also in analyzing Spanish literature within the broader framework of European avant-garde culture. With prescient clarity, they highlight many of the aesthetic notions that would revolutionize experimental literature throughout the modernist period. This book offers the first complete English translation of Morbidities and “The Concept of the New Literature,” and it introduces anglophone readers to some of Gómez de la Serna’s most passionate ideas about modernity and “new literature.”
The Spanish Civil War
This book features cutting, edge, interdisciplinary research on the legacy of the Spanish Civil War by established and new scholars from across the world.
Galicia, A Sentimental Nation
This is the first feminist and postcolonial analysis of Galician cultural nationalism and its relation to the Spanish state and Spanish centralism.
Remaking Brazil
This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an ‘imagined community’, the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.
Adolfo Bioy Casares
Best known as Jorge Luis Borges’s right-hand man, Adolfo Bioy Casares (1914−1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy’s extensive oeuvre which offers many surprising reflections on the twentieth century’s cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy’s meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.
