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The Sexist Microphysics of Power
A groundbreaking feminist text that frames our obsession with true crime as a form of sexual terror. In 1992, three teenage girls went missing from the small town of Alcàsser in Valencia, Spain while on their way to a nightclub, in a case whose strangeness and brutality continues to draw popular speculation decades later. Feminist theorist Nerea Barjola retraces the high-profile search to find them and the media frenzy of the ensuing trial to explore our cultural fascination with the harm done to women’s bodies. The graphic rehearsal of the details in news and media fuels cautionary tales of sexual danger that induce in women a mental map of places they can and cannot go, the activities t...
From Will to Well
None
Between Market and Myth
Between Market and Myth is a study of novels about artists and the art world written in Spain in the years following the Transition to democracy after Francisco Franco's death. The novels studied portray a clash between the myth of artistic freedom and artists' willing recruitment or cooptation by market forces or political influence.
Pilgrim Stories
"Reading Pilgrim Stories is as close as one will ever get to the sights, sounds, anxieties, pains and deeper meanings of the Santiago pilgrimage, short of making the pilgrimage oneself. This is probably the most comprehensive as well as the most vivid account of the pilgrimage ever written. . . . A triumph of anthropological fieldwork unraveling a fine web of cultural and spiritual meanings."--Robert Bellah, author of Habits of the Heart "The best thing about this book is the author's ear and attentiveness. She takes her often confused and disoriented subjects seriously, and in her reporting allows us to glimpse the dissatisfactions and frustrations of the contemporary West."--William A. Christian, Jr., author of Visionaries
Tracing the Borders of Spanish Horror Cinema and Television
This critical anthology sets out to explore the boom that horror cinema and TV productions have experienced in Spain in the past two decades. It uses a range of critical and theoretical perspectives to examine a broad variety of films and filmmakers, such as works by Alejandro Amenábar, Álex de la Iglesia, Pedro Almodóvar, Guillermo del Toro, Juan Antonio Bayona, and Jaume Balagueró and Paco Plaza. The volume revolves around a set of fundamental questions: What are the causes for this new Spanish horror-mania? What cultural anxieties and desires, ideological motives and practical interests may be behind such boom? Is there anything specifically "Spanish" about the Spanish horror film and TV productions, any distinctive traits different from Hollywood and other European models that may be associated to the particular political, social, economic or cultural circumstances of contemporary Spain?
Two Sides of One River
Galicia, the region in the northwest corner of Spain contiguous with Portugal, is officially known as the Autonomous Community of Galicia. It is recognized as one of the historical nationalities making up the Spanish state, as legitimized by the Spanish Constitution of 1978. Although Galicia and Portugal belong to different states, there are frequent allusions to their similarities. This study compares topographic and ethnographic descriptions of Galicia and Portugal from the nineteenth and twentieth centuries to understand how the integration into different states and the existence of nationalist discourses resulted in marked differences in the historical representations of these two bordering regions of the Iberian Peninsula. The author explores the role of the imagination in creating a sense, over the last century and a half, of the national being and becoming of these two related peoples.
Physical and Symbolic Borders and Boundaries and How They Unfold in Space
This book critically examines how borders and boundaries, physical and symbolic, unfold in different geographies and spaces. It aims to understand why they exist and how they are constructed, deconstructed, and reconstructed. The book explores why certain borders/boundaries persist while others are removed, and new ones are erected. It does not focus on one form of border, boundary or geographic location. It shifts its attention to different geographies, borders, and boundaries. It also focuses on intersections between them and how they complete each other. The book provides case studies from the past and present, allowing readers to connect subjects, periods, and geographies. The chapters a...
Heritage Regimes and the State
What happens when UNESCO heritage conventions are ratified by a state? How do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratified and implemented. With seventeen case studies from Europe, Africa, the Caribbean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political organization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifies itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of building and managing heritage.
Spanish Horror Film and Television in the 21st Century
This book provides an up-to-date, in-depth survey of 21st-century Spanish horror film and media, exploring both aesthetics and industrial dynamics. It offers detailed analysis of contemporary films and TV series as well as novel approaches to key works within the history of Spanish cinema. While addressing the specificities of the Spanish landscape, this volume also situates the national cinematic output within the international arena, understanding film production and reception as continuously changing processes in which a variety of economic, social and cultural factors intervene. The book first analyzes the main horror trends emerging in the early 2000s, then approaches genre hybridization and the rise of new filmmakers since the 2010s with a special focus on gender issues and the reconfiguration of the past, before addressing the impact of streaming services within the Spanish film panorama, from a production and distribution standpoint. This book will be of keen interest to scholars and students in the areas of film studies, media studies, TV studies, horror, Spanish cultural studies and production studies.
