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Gustave Doré
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Eyes Upside Down
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.
Double Vision
A lavishly illustrated inside account of one of avant-garde film’s most original outsiders, the filmmaker Robert Beavers. Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers’s dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today’s most significant living filmmakers. In Double Vision, Rebekah Rutkoff, the first scholar to have full access to Beavers’s writing archive, sheds light on this deeply original underground figure and reveals the way Beavers’s films explore nonoptical seeing—aware...
Abstraction in Post-War British Literature 1945-1980
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.
Ask Me if I'm Happy
One of Britain's best-loved comic actors, Peter Bowles is perhaps most famous for his role as nouveau riche lord of the manor, Richard de Vere, in the hit television comedy To the Manor Born. The show earned itself cult sit-com status when it first aired in the 1970s and 80s and, as the success of the 2007 Christmas special showed, it continues to be hugely popular around the world. Now, in this witty, charming and colourful memoir, Peter Bowles recalls experiences and anecdotes from the time as well as from countless other productions he has worked on during more than half a century in the business. From his early days at Stratford under the direction of John Osborne to roles on iconic television programmes like The Avengers and The Irish R.M., to his current work with the great Peter Hall, Peter Bowles has worked, and laughed, with some of the biggest names in British drama. Funny, candid and warming in equal measure, Peter Bowlesis the very personal story of this inspiring and quintessentially British actor.
London's New Scene
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
BECOMING AND BEING
This project is quite unusual in that it combines, in separate parts, autobiographical writings with biographical sketches of some of the writers who have influenced John O'Loughlin most, including Jean-Paul Sartre, Albert Camus, Aldous Huxley, Arthur Koestler, Henry Miller, Hermann Hesse, and Lawrence Durrell. At the end, Mr O'Loughlin has appended a list of books borrowed from his local library during a twelve-year period coinciding, in part, with the composition of this text, so that one can compare his reading material - and what he thought of it - with the original material of this project as a guide to how becoming eventually turned, for him, into being.
The Life of Berlioz
The Life of Berlioz situates the celebrated French musician in the vibrant and highly politicized musical culture of the periods of the Bourbon Restoration, July Monarchy, Second Republic, and Second Empire in which he lived and worked as composer, conductor, concert manager, and writer. The author of the Symphonie fantastique was indeed possessed of a fertile and fantastical imagination; but the common image of Berlioz as a misunderstood and mistreated genius obscures both the solidity of his work as a musical architect and the reality of his position as one sometimes favored by those in power. Berlioz is the quintessential romantic composer by dint of the conspicuous intermingling of art and life that marks his musical and literary output. Studying this away from the subjective sentimentality that can still mar studies of the composer in France, serves only to enhance the uncommon radiance of his music and uncommon esprit of his art.
The Drama of Celebrity
Why do so many people care so much about celebrities? Who decides who gets to be a star? What are the privileges and pleasures of fandom? Do celebrities ever deserve the outsized attention they receive? In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable. Drawing on ...
Slant Steps
Slant Steps explores the vital role of the semi-periphery—artistic communities working between the provinces and the metropole. Premised on the collective fascination with the found object Slant Step, the book details a history of encounters among artists, filmmakers, critics, and others operating in and out of the Bay Area during the long 1960s. They revised the terms of the counterculture, the appeal of consumer goods, and the surfaces and materials of industrial design and contemporary sculpture. Whether extending to international exchanges or shrinking to local coteries, these circles helped develop process, funk, and conceptual art as they forged new directions for the art world and its members. Yet when these groups degraded their own works alongside those of their rivals, they made their political and aesthetic commitments difficult to decipher, reorganizing the ties between the visual arts and the New Left. Merging sociologies of art with the tradition of social art history, Jacob Stewart-Halevy uncovers the oblique perspectives and values of the semi-periphery, revealing its enduring impact upon contemporary art, above all in the field of pedagogy.
