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Gustave Dore, by Nigel Gosling
  • Language: en
  • Pages: 112

Gustave Dore, by Nigel Gosling

  • Type: Book
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  • Published: 1973
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  • Publisher: Unknown

None

Interview with Maude Lloyd and Nigel Gosling
  • Language: en
  • Pages: 106

Interview with Maude Lloyd and Nigel Gosling

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

Gustave Doré
  • Language: en
  • Pages: 112

Gustave Doré

None

Paris, 1900-1914
  • Language: en

Paris, 1900-1914

  • Type: Book
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  • Published: 1978
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  • Publisher: Unknown

None

Nadar. [Illustr.] (1. Publ. in England.) - London: Secker & Warburg (1976). 298 S. 4°
  • Language: en
  • Pages: 298
Prowling the Pavements
  • Language: en
  • Pages: 286

Prowling the Pavements

  • Categories: Art
  • Type: Book
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  • Published: 1986
  • -
  • Publisher: Unknown

None

The Nureyev Image
  • Language: en

The Nureyev Image

  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

None

Thicker than water
  • Language: en
  • Pages: 306

Thicker than water

  • Type: Book
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  • Published: 1938
  • -
  • Publisher: Unknown

None

Nadar [dt.] Photograph berühmter Zeitgenossen
  • Language: en
  • Pages: 296

Nadar [dt.] Photograph berühmter Zeitgenossen

  • Type: Book
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  • Published: 1977
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  • Publisher: Unknown

None

Double Vision
  • Language: en
  • Pages: 337

Double Vision

  • Categories: Art
  • Type: Book
  • -
  • Published: 2024-08-27
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  • Publisher: MIT Press

A lavishly illustrated inside account of one of avant-garde film’s most original outsiders, the filmmaker Robert Beavers. Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers’s dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today’s most significant living filmmakers. In Double Vision, Rebekah Rutkoff, the first scholar to have full access to Beavers’s writing archive, sheds light on this deeply original underground figure and reveals the way Beavers’s films explore nonoptical seeing—aware...