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This volume examines, in English, the role of emblems in the Portuguese-speaking world, their distinctive qualities and their links with the wider European tradition. Luis Gomes brings together studies ranging over a wide corpus of material, in both Portugal and Brazil, from manuscripts to printed books to the famous azulejos."
Christianity has changed. Formerly known as the religion of Europe and North America, it is now a religion of the Global South: Asia, Africa, and Latin America. However, Christianity has never been merely a Western phenomenon - it has always been a borderless religion. Indeed, in six of the world's eight cultural blocks, Christianity is the largest faith. With convenient maps, helpful statistics, and concise histories of each of the world's major cultural blocks, The Changing World of Christianity is a dynamic guide for understanding Christianity's new ethos. From Ireland to Papua New Guinea, Argentina to China, South Africa to Russia, this book provides a clear and encyclopedic look at Christianity, the world's largest and most global religion.
With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those "new" lands and their inhabitants that continues today. Columbus's epistolary announcement travelled from country to country in a late-medieval media event -- and the rest, as has been observed, is history. The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed the Letter...
Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the ...
The great wartime leader, Winston Churchill, once remarked, “Democracy is the worst form of government, except for all those other forms that have been tried from time to time.” Democracy on Trial recounts the history of this progressive form of governance while comparing it to a competing form: absolutism. Today we see the results of this conflict: flourishing civilization on one hand and crushing despotism on the other. Dr. Lasso, from his own bitter experiences with the despotism of Panama’s dictator, shows us how today’s democracy was won and how it must be vigilantly earned. Dr. Lloyd Muller Historian
This book examines diseases and disasters from the perspective of social and political theory, exploring the ways in which political leaders, social activists, historians, philosophers, and writers have tried to make sense of the catastrophes that have plagued humankind from Thucydides to the present COVID pandemic. By adopting the perspective of political theory, it sheds light on what these individuals and events can teach us about politics, society, and human nature, as well as the insights and limitations of political theory. Including thinkers such as Thucydides, Sophocles, Augustine, Bacon, Locke, Hume, Rousseau, Publius, Bartolomé de las Casas, Jane Addams, Camus, Saramago, Baudrilla...
"Dillman elegantly explores the evolution of English and British perceptions of the landscape of the West Indies and how their representations were used to support the development of the islands they colonized"--
"From Lack to Excess analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with studies on minority discourse, minor literatures, and postcolonial theory. After reviewing the main contributions and limitations of Transatlantic, Early Modern, and Postcolonial studies for the interpretation of Latin American colonial textualities, Martinez-San Miguel takes as a point of departure the subtle yet pervasive semantic link between the terms "minority" and "colonialism" prevalent in current studies on ethnic and sexual identities. She then engages the disciplinary debate between Colonial Latin American studies and Early Modern, Transatlantic, an...
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
Japan on the Jesuit Stage offers a comprehensive overview of the representations of Japan in early modern European Neo-Latin school theater. The chapters in the volume catalog and analyze representative plays which were produced in the hundreds all over Europe, from the Iberian Peninsula to present-day Croatia and Poland. Taking full account of existing scholarship, but also introducing a large amount of previously unknown primary material, the contributions by European and Japanese researchers significantly expand the horizon of investigation on early modern European theatrical reception of East Asian elements and will be of particular interest to students of global history, Neo-Latin, and theater studies.