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Women and Ceramics
This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.
A Dilemma of English Modernism
Presents a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. This work also emphasizes a re-evaluative positioning of Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe.
Identity and Image
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
The Modernity of English Art, 1914-30
"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Ben Enwonwu
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwon...
Peter Owen, Not a Nice Jewish Boy
In this wry, candid and sometimes poignant memoir, Peter Owen recalls his lonely Jewish boyhood in Nazi Germany and migration to England where he survived the London Blitz, a teenage dalliance with aspiring actress Fenella Fielding, and working with a motley variety of book publishers. He founded his eponymous publishing firm in 1951, becoming one of the youngest publishers in Britain. A pioneer of books on social themes, gay and lesbian writing and literature in translation, Owen’s authors included ten Nobel laureates and brought Hermann Hesse, Ezra Pound and Anaïs Nin to a wider audience. Enjoying their success, he and his wife Wendy were memorably stylish and eccentric figures at the literary parties of the 1960s and 1970s. Owen describes his often hilarious encounters with many of those he published, including John Lennon, Yoko Ono and Salvador Dalí, his adventures in Japan with Yukio Mishima and Shūsaku Endō, and in Morocco with Tennessee Williams and Paul and Jane Bowles. As one of the last of the great émigré publishers, his death in 2016 aged 89 signalled the end of a literary era.
Country Life
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Nigel Lambourne
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More Than a Bookshop
More Than a Bookshop recounts the history of Zwemmer's bookshop, art gallery and publishing house has a central place in the history of British art in the twentieth century. From the early 1920s the bookshop, Picasso's agent in the post-war period, was a unique source of information on modern art, supplemented in 1929 by the opening of the Zwemmer Gallery specialising in contemporary art.
