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Full color and fact packed, yet portable and affordable --only 15.95! Bonus! Pullout wallet-sized Mini Restaurant Guide and City Map
This is a new release of the original 1941 edition.
"Mally's book moves the study of an important revolutionary cultural experiment from the realm of selective textual analysis to wide-ranging social and institutional history. It reveals vividly the social-cultural tensions and values inherent in the Russian revolutionary period, and adds authoritatively to the rapidly emerging literature on cultural revolution in Russia and in the modern world at large."--Richard Stites, Georgetown University "Mally's book moves the study of an important revolutionary cultural experiment from the realm of selective textual analysis to wide-ranging social and institutional history. It reveals vividly the social-cultural tensions and values inherent in the Russian revolutionary period, and adds authoritatively to the rapidly emerging literature on cultural revolution in Russia and in the modern world at large."--Richard Stites, Georgetown University
This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art,...
The destruction of the Czars which brought about the reign of revolutions from 1905–1917 in Russia looms as the crucial political event of the twentieth century. In little more than a decade the Romanov dynasty was toppled, and its time-honored institutions repudiated. How did it happen? How could Nicholas and Alexandra, the nobility, middle class anarchists—even Lenin himself—not foresee the catastrophic changes that were shaking the empire? Why could nothing be done? And why were the efforts so ineffectual? Black Night, White Snow captures the rich drama of this whole period. With the artistry of a Balzac, Harrison Salisbury exposes the strata of Russian society, with its decedents, prophetic poets, religious fanatics, and newly liberated serfs. From archival sources within the Soviet Union, interviews, and his personal photography collection, he recreates the story as it happened. Hard data on Russia's economy, a first-hand knowledge of the county, and a historian's gift of compression are combined in a fast-paced narrative that reads with the ease of a good novel and the urgency of a newspaper headline.
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-gar...
Dr Baines' 1977 study examines Mandelstam's later poetry between 1930 and 1937.
This book examines the artistic life of Vitebsk during the years 1917-1922, when a great burst of creative experimentation transformed the modest Russian town into one of the most influential gateways to the art of the twentieth century. Spurred by native son Marc Chagall, who returned home after the October Revolution in 1917 to take the position of art commissioner, Vitebsk rose to a pinnacle of fame as an artistic laboratory for the avant-garde. It was here that such luminaries as El Lissitzky, Yuri Pen, Kazimir Malevich, Nikolai Suetin, Mikhail Bakhtin, and others worked, inspired one another, and made distinctive contributions to modernism. Art historian Aleksandra Shatskikh surveys the...