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This book is a celebration. It praises the many innovative aspects of Irina Sandomirskaja's contributions to a variety of fields in the humanities and Slavic studies, in particular through the numerous colleagues who mirror the impact of her work in their own research and thought. As such, this celebration is also an expression of academic gratitude and a gesture of friendship.
Dostoevsky and Tolstoy are the titans of Russian literature. As mature artists, they led very different lives and wrote vastly different works, but their early lives and writings display provocative kinships, while also indicating the divergent paths the two authors would take en route to literary greatness. The ten new critical essays here, written by leading specialists in nineteenth-century, Russian literature, give fresh, sophisticated readings to works from the first decade of the literary life of each Russian author—for Dostoevsky, the 1840s; for Tolstoy, the 1850s. Collectively, these essays yield composite portraits of these two artists as young men finding their literary way. At the same time, they show how the early works merit appreciation for themselves, before their authors were Titans.
An argumentation and debate textbook for the digital age. Composing Arguments combines traditional and contemporary theory with the online argument mapping tool Debategraph. This edition covers basic concepts regarding the definition and composition of arguments. The theory focuses on informal logic and is heavily influenced by Stephen Toulmin and Ludwig Wittgenstein, but traces the roots of argumentation theory to Aristotle. The first half of the textbook includes explanations of the syllogism, enthymeme, and the Toulmin model. Additionally, there are images of argument maps to illustrate the concepts, as well as exercises for students to use for studying. The second half of the textbook has step-by-step instructions for using Debategraph, complete with assignments that have been tried and tested in the classroom. This book represents the next step in argumentation and debate instruction. Use it for the class, or for instruction for competitive debate.
In this important and controversial book, one of our leading literary theorists presents a major philosophical statement about the meaning of literature and the shape of literary texts. Drawing on works by the Russian writers Dostoevsky, Tolstoy, and Chekhov, by other writers as diverse as Sophocles, Cervantes, and George Eliot, by thinkers as varied as William James, Mikhail Bakhtin, and Stephen Jay Gould, and from philosophy, the Bible, television, and much more, Gary Saul Morson examines the relation of time to narrative form and to an ethical dimension of the literary experience. Morson asserts that the way we think about the world and narrate events is often in contradiction to the trul...
It has been said that all great literature is about suffering. But before the twentieth century, physical pain, one of the most primal forms of human suffering, has rarely been represented on the stage and in fiction. But when it is foregrounded in works of literature, it is not only the most dramatic way of representing human suffering, it is also used to explore, in the most intense form, existential questions regarding the meaning of human existence and the justice of the universe. Perhaps it is not entirely coincidental, then, that imaginative works about physical pain, though few in number, figure prominently among the masterpieces of the western literary tradition. The best were writte...
In this lively gambol through the history of quotations and quotation books, Gary Saul Morson traces our enduring fascination with the words of others. Ranging from the remote past to the present, he explores the formation, development, and significance of quotations, while exploring the "verbal museums" in which they have been collected and displayed--commonplace books, treasuries, and anthologies. In his trademark clear, witty, and provocative style, Morson invites readers to share his delight in the shortest literary genre. The author defines what makes a quote quotable, as well as the (unexpected) differences between quotation and misquotation. He describes how quotations form, transform, and may eventually become idioms. How much of language itself is the residue of former quotations? Weaving in hundreds of intriguing quotations, common and unusual, Morson explores how the words of others constitute essential elements in the formation of a culture and of the self within that culture. In so doing, he provides a demonstration of that very process, captured in the pages of this extraordinary new book.
Analysis of the growth, structure and function of European rural and urban settlements.
"Christos Yannaras's book is an important contribution to the theology/science debate. It offers a respectable alternative to creationist resistance to materialistic evolutionism. It shows how spiritual reality transcends the categories of chance and necessity that materialists believe can explain everything. It argues passionately for the priority of relationality and reciprocity, the spiritual dimension through which we can discover God's causality and so enter into personal relation with him."--BOOK JACKET.
Dostoevsky's writings are criticized individually and in relation to one another against the background of his life and thought
The first English-language edition of H. G. Adler's acclaimed account of the Jewish ghetto in the Czech city of Terezin.