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"Chock full of humor, "Drifting Too Far From the Shore" is a beautiful story that makes you feel like you have been transported back to small town America." - Winston Groom, author of "Forrest Gump" Readers will fall in love with Muddy "Charlotte" Rewis, a sassy yet reserved southern woman who has a cane and ain't afraid to use it. Muddy believes she is in her last days and longs to reunite in heaven with her deceased husband, Claude, But when Muddy's grandson shoots out a neighbor's front window, an old friendship is renewed, and troubling mysteries irresistibly revived. Full of humorous moments, "Drifting Too Far from the Shore" is a wonderful story of small town American South and of making the most of life.
The Borfski Press is an independent magazine and publisher that began in January 2016. We stand for radical free speech and expression through music, art, and writing. TBP publishes all art forms. Find ordering and submission information as well as additional content at www.TheBorfskiPress.com.
Reports for 1898-1908 include the Report of state inspection of factories, 6th-16th.
This literary companion surveys the works of Lee Smith, a Southern author lauded for her autobiographical familiarity with Appalachian settings and characters. Her dialogue captures the distinct voices of mountain people and their perceptions of local and world events, ranging from the Civil War to ecology and modernization. Mental and physical disability and the Southern cultural norm of including the disabled as both family and community members are recurring themes in Smith's writing. An A to Z arrangement of entries incorporates specific titles, and themes such as belonging, healing and death, humor, parenting and religion.
Schmidtberger's tales span the decades with a clear-eyed gaze, reflecting a cultural legacy that laid the foundation for a life well-lived, and illustrating the deep cultural changes in America between the 1930s and today.
Contributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cush...
How hard can it be for an American to pass France's unique exam for English teachers? This wickedly funny memoir examines France's love-hate affair with the modern world. "Her tragi-comic story explains how France produces the worst English teachers in the world" - LE POINT; 'Funny and ferocious" - THE PARIS TIMES; "Dramatically funny" - L'EXPRESS; "Highly instructive" - NOUVEL OBS
Since Birth of a Nation became the first Hollywood blockbuster in 1915, movies have struggled to reckon with the American South—as both a place and an idea, a reality and a romance, a lived experience and a bitter legacy. Nearly every major American filmmaker, actor, and screenwriter has worked on a film about the South, from Gone with the Wind to 12 Years a Slave, from Deliveranceto Forrest Gump. In The South Never Plays Itself, author and film critic Ben Beard explores the history of the Deep South on screen, beginning with silent cinema and ending in the streaming era, from President Wilson to President Trump, from musical to comedy to horror to crime to melodrama. Beard’s idiosyncratic narrative—part cultural history, part film criticism, part memoir—journeys through genres and eras, issues and regions, smash blockbusters and microbudget indies to explore America’s past and troubled present, seen through Hollywood’s distorting lens. Opinionated, obsessive, sweeping, often combative, sometimes funny—a wild narrative tumble into culture both high and low—Beard attempts to answer the haunting question: what do movies know about the South that we don’t?
Culled from sixty blog posts spanning eight years, Tangles and Plaques is a candid account of a mother and daughter’s changing relationship as they face the progressive landscape of Alzheimer’s Disease together. As the twisted fibers (tangles) build up inside the nerve cells in her brain and the protein fragments (plaques) fill the spaces between those cells, Effie Johnson—like millions of others who suffer from Alzheimer’s—loses her memory, the stories that make up the fabric of her life. Blending humor (“I Can’t Find My Panties”) with pathos (“Disappearing Stories”) and hope with despair, Susan Johnson Cushman captures the personal within the universal in a story that r...
It's so easy to get bogged down in this world -- to feel the weight of ugliness, hate, destruction, emptiness, and depression pushing down on us. If you're not careful, life will try its best to crush you. But something gentle exists outside of it, under the coarse fabric of things. There is a soft voice waiting for you to listen and hear. And it's so easy to drown it out, to overlook it, to pretend it doesn't exist, or simply not hear it through the noise.Jesus is the whisper in the chaos. Our contributors see Him in the peripheral, call out to Him from the dark places and wait for His voice, feel the peace in His gentle light, or recognize the weight of His absence in an absurd, seemingly meaningless world.In this issue, you'll find laughter and despair, the everyday moments and the sublime, brokenness and healing, pain and joy, and in everything, bubbling underneath the surface, Jesus -- waiting, whispering, and placing His finger on everything.