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This volume gathers together reflections on racism and nationalism, empowerment and futurity. It focuses on collective amnesia in regards to traumatic events of the European past and the ways in which memory and history are presented for the future. The essays cover and oppose the seemingly disparate genocides committed during Belgian colonialism, Austrian antisemitism and turbo-nationalism in “Republika Srpska” (Bosnia and Herzegovina), implying by no means a homogenization of the experiences. What connects these historical situations is the fact that, despite available documents, to this very day, nation-states are built on practices of oblivion regarding their past. This volume is indispensable for theoreticians, philosophers, and historians, as well as the general public. It expresses the demand to critically question our inherited knowledge and to rethink the past for a new future of conviviality.
Degenerations of democracy -- Contradictions and double movements -- Neoliberalism and the social foundations of democracy -- Authenticity and meritocracy -- Making the demos safe for democracy? -- The structure of democratic degenerations and the imperative of direct action -- What is to be done?
The Epistemology of Protest offers a polyphonic theory of protest as a mechanism for political communication, group constitution, and epistemic empowerment. The book analyzes the communicative power of protest to break social silences and disrupt insensitivity and complicity with injustice. Philosopher José Medina also elucidates the power of protest movements to transform social sensibilities and change the political imagination. Medina's theory of protest examines the obligations that citizens and institutions have to give proper uptake to protests and to communicatively engage with protesting publics in all their diversity, without excluding or marginalizing radical voices and perspectiv...
Edited by Ludger Hovestadt and Vera Bühlmann Applied Virtuality is a book series which is edited by Ludger Hovestadt, ITA Institute of Technology in Architecture, ETH Zürich, Switzerland and Vera Bühlmann, Technical University Vienna, Institute for Architectural Theory. Based on the thesis that technology changes character over time, the series aims and scopes are to reflect that change by describing and analyzing the most recent explorations and innovations in technology, as well as their implications for a more philosophically comprehensive understanding of technics in our contemporary symbolical, information saturated, climatic environments. The overall interest thereby is to (1) affir...
Die meisten Gebäude, die in den nächsten Jahrzehnten in Europa benötigt werden, sind längst gebaut. Die Bauaufgaben der Zukunft liegen in der geschickten (Um-)Nutzung und Veränderung von Bestehendem, ob bei der Sanierung von Altstädten, beim Anbau an Wohnhäuser, bei der Erweiterung öffentlicher Gebäude oder der Umnutzung ganzer Fabrikareale. Das Bauen im Bestand erfordert spezifische Vorgehensweisen bei Planung, Bauausführung und Umsetzung. Die Bandbreite reicht dabei vom Arbeiten mit den Vorgaben des Denkmalschutzes, dem behutsamen Sanieren, bis hin zum vollständigen Überformen des Vorgefundenen. Neben der ästhetischen Transformation spielen auch technische Aspekte wie die ener...
A deep dive into racial politics, Hollywood, and Black cultural struggles for liberation as reflected in the extraordinary life and times of Sammy Davis Jr. Through the lens of Sammy Davis Jr.'s six-decade career in show business—from vaudeville to Vegas to Broadway, Hollywood, and network TV—Dancing Down the Barricades examines the workings of race in American culture. The title phrase holds two contradictory meanings regarding Davis's cultural politics: Did he dance the barricades down, as he liked to think, or did he simply dance down them, as his more radical critics would have it? Davis was at once a pioneering, barrier-busting, anti–Jim Crow activist and someone who was widely as...
How to transcend land grab economies, even by means of art? The reader REALTY moves from the safety of critique to the vulgarity of suggestions. The pandemic's effect on mobility presents a historic opportunity. Rarely has criticism of our extractive artworld logic of one-place-after-another been louder. REALTY is a long-term curatorial program by Tirdad Zolghadr (*1973), initially commissioned by the KW Institute for Contemporary Art. With the help of numerous artists and experts who contributed over 2017–2020, this reader revisits how contemporary art can contribute to decisive conversations on urbanism. TIRDAD ZOLGHADR (*1973) is a curator and writer. He is currently artistic director of the Sommerakademie Paul Klee. Curatorial work over the last two decades includes biennial settings as well as long-term, research-driven efforts, most recently as associate curator at KW Institute for Contemporary Art Berlin, 2016-20.
The publication investigates the opportunities for upgrading the spatial structure of apartments created during the post-war building boom between 1960 and 1970. The authors analyze typical existing layouts in the context of social developments which, in recent decades, have led to significant changes in the form of living and in the structure of households. To what extent do the functionally optimized housing units meet the requirements of today’s society, and how adaptable are they to new forms of living? Is it possible to achieve a workable result with small interventions? In the theoretical part the authors discuss theories on design strategies and political transformation processes, the importance of which is demonstrated in the project part using practical contemporary examples.
"Looking specifically at the Mexican city of León, in Guanajuato, the book shows graffiti as a contested tool for "voicing" public demands. It considers the changing perceptions and recognition of graffiti artists, their right to the city, and the use of public space from 2000 to 2018. Bruce studies the history of independent graffiti and state-sanctioned graffiti art to claim that its institutionalization creates tensions in the social relationships inside artist collectives, and fluctuating ideas about urban art, creative labor, and neoliberal entrepreneurship"--
Nights of the Dispossessed brings together artistic works, political texts, and research projects from across the world in an endeavor to sense, chronicle, and think through recent riots and uprisings.