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Addresses two innovative areas of contemporary architecture and design: repressive urban architecture and design (i.e. surface studs, crowd control barriers etc) and the vernacular architecture of protest culture (i.e. makeshift, low impact architectural structures such as tree houses and earth bunkers).
The book has no illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from the publisher's website (GeneralBooksClub.com). You can also preview excerpts of the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Volume: 1; Original Publisher: London: Chapman and Hall; Publication date: 1870; Subjects: History / General;
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First published in 1995, this acclaimed study challenges generally accepted truths of the Israel-Palestine conflict as well as much of the revisionist literature. This new edition critically reexamines dominant popular and scholarly images in the light of the current failures of the peace process.
From Francis Alÿs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks ...
Artwork by Jacqueline Cooke, Jonathan Faiers, Ella Gibbs, Rita Keegan, Ruth Maclennan, Naomi Salaman. Edited by Anna Harding. Text by Inke Arns, Nils Norman.
Spatialities draws on a distinguished panel of artists, cultural theorists, architects, and geographers to offer a nuanced conceptual framework for understanding the ever-evolving spatial orderings that materially constitute our world. With chapters covering a wide range of topics, including the interstitial, the liminal and relational processes of deformation, and distribution and stratification as a means of spatial reflection, this volume shows space to be less a defining category and more an abstract terrain whose boundaries may be continually deconstructed and reassembled.