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Before 1840 there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the 20th century, 'men of letters' acclaimed novels as a form of great literature, and most successful novelists were men. Here, Gaye Tuchman examines how men redefined this form of literary expression.
Settled in the nineteenth century, a period of national liberation, this book presents facts about the contribution of women to Serbian culture. The story is, however, of an equal contemporary as well as of historical relevance: work of these authors remained hidden as they were neither adequately evaluated in school curriculums and textbooks, nor recognized by the general public. Does the absence from textbooks and literary histories imply their literature is not worth reading? Or, that the histories of literature are simply biased and inadequate? The answers to these questions are elaborated in this book. The author carefully investigates the strategies of historians and official politics ...
Novelist Marie Corelli was extremely popular at the turn of the century, so much so that J. M. Stuart-Young complained about the ‘Corelli Cult’. Corelli broke all sales records during the 30 years of her publishing. Her books have enjoyed a resurgence of interest over the past two decades for various reasons but ostensibly due to their challenge to gender constrictions. Corelli’s perception of gender and her gender demeanor were complicated and mercurial. Speculation that she was transgendered, a deduction drawn from her writing and from her having lived in an intimate relationship with Bertha Vyver for 64 years, makes her a person of interest today. Additionally, her 30 novels, short ...
During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? Becoming a Woman of Letters examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession. Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the...
"Erickson analyzes the effects of a changing market on the relative cultural status of literary forms. Topics include the impact of technological changes in printing on English poetry; ideological focus and the market for the essay; and marketing the novel, 1820-1850."--"Book News, Inc., " Portland, Oregon. (Literary Criticism)
This Pioneering Attempt To Bring Together The Work Of Leading Contemporary Academics In Relation To The Book In India Is A Much Welcome Effort.
Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
The essays in this collection range widely not only over Karolina Pavlova's oeuvre but also in their analytical stances. The volume includes close poetic and prosodic analysis, literary history, gender studies, intertextual comparison and biography.
A comprehensive overview into digital literary studies that equips readers to navigate the difficult contentions in this space. The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by ...