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Shapes of Time explores how concepts of time and history were spatialized in early twentieth-century German thought. Michael McGillen locates efforts in German modernism to conceive of alternative shapes of time—beyond those of historicism and nineteenth-century philosophies of history—at the boundary between secular and theological discourses. By analyzing canonical works of German modernism—those of Karl Barth, Franz Rosenzweig, Siegfried Kracauer, and Robert Musil—he identifies the ways in which spatial imagery and metaphors were employed to both separate the end of history from a narrative framework and to map the liminal relation between history and eschatology. Drawing on theories and practices as disparate as constructivism, non-Euclidean geometry, photography, and urban architecture, Shapes of Time presents original connections between modernism, theology, and mathematics as played out within the canon of twentieth-century German letters. Concepts of temporal and spatial form, McGillen contends, contribute to the understanding not only of modernist literature but also of larger theoretical concerns within modern cultural and intellectual history.
Explores abstraction as a keyword in aesthetic modernism and in critical thinking since Marx
This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical...
While Thomas Pynchon is usually described as an American author who primarily writes about American reality, Planetary Pynchon: History, Modernity, and the Anthropocene argues that his major novels, Gravity's Rainbow, Mason & Dixon, and Against the Day, can profitably be read as a global trilogy that presents a coherent historical account of how the emergence and spread of European modernity across the world have had devastating consequences for the planet and its inhabitants. This book sets a new agenda in Pynchon studies, charting his early anticipation of anthropocenic and planetary ideas, including globalization's demand for constant growth. It combines close textual readings with broad perspectives on large thematic arcs and stylistic developments across Pynchon's entire career as well as an extensive dialogue with the rich reception of his work.
The Number Sense of Nineteenth-Century British Literature considers how the avalanche of printed numbers characterizing the period affected its literature. It looks at the influence of a variety of cultural and historical movements, such as the rise of statistics and of democratic Liberalism and concurrent developments in mathematics. This book takes as its starting point and focus the presence of actual numbers--ordinal and cardinal, Arabic, Roman, and spelled out in words--within the century's literary texts. It is through the deployment of such figures that texts display their number sense; similarly, readers develop the faculty of number sense by paying careful attention to their presenc...
The Insectile and the Deconstruction of the Non/Human defines, conceptualizes, and evaluates the insectile—pertaining to an entomological fascination—in relation to subject formation. The book is driven by a central dynamic between form and formlessness, further staging an investigation of the phenomenon of fascination using Lacanian psychoanalysis, suggesting that the psychodrama of subject formation plays itself out entomologically. The book’s engagement with the insectile—its enactments, cultural dreamwork, fantasy transformations—‘in-forming’ the so-called human subject undertakes a broader deconstruction of said subject and demonstrates the foundational but occluded role o...
This book, a tribute to historian of mathematics Jeremy Gray, offers an overview of the history of mathematics and its inseparable connection to philosophy and other disciplines. Many different approaches to the study of the history of mathematics have been developed. Understanding this diversity is central to learning about these fields, but very few books deal with their richness and concrete suggestions for the “what, why and how” of these domains of inquiry. The editors and authors approach the basic question of what the history of mathematics is by means of concrete examples. For the “how” question, basic methodological issues are addressed, from the different perspectives of mathematicians and historians. Containing essays by leading scholars, this book provides a multitude of perspectives on mathematics, its role in culture and development, and connections with other sciences, making it an important resource for students and academics in the history and philosophy of mathematics.
Comprising fifteen essays by leading authorities in the history of mathematics, this volume aims to exemplify the richness, diversity, and breadth of mathematical practice from the seventeenth century through to the middle of the nineteenth century.
Poverty and precarity are among the most pressing social issues of today and have become a significant thematic focus and analytical tool in the humanities in the last two decades. This volume brings together an international group of scholars who investigate conceptualisations of poverty and precarity from the perspective of literary and cultural studies as well as linguistics. Analysing literature, visual arts and news media from across the postcolonial world, they aim at exploring the frameworks of representation that impact affective and ethical responses to disenfranchised groups and precarious subjects. Case studies focus on intersections between precarity and race, class, and gender, institutional frameworks of publishing, environmental precarity, and the framing of refugees and migrants as precarious subjects. Contributors: Clelia Clini, Geoffrey V. Davis, Dorothee Klein, Sue Kossew, Maryam Mirza, Anna Lienen, Julia Hoydis, Susan Nalugwa Kiguli, Sule Emmanuel Egya, Malcolm Sen, Jan Rupp, J.U. Jacobs, Julian Wacker, Andreas Musolff, Janet M. Wilson