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Girls Like Me
"Sixteen-year-old queer-identified Banjo Logan wakes up groggy in a juvenile mental ward. She realizes that the clueless therapist and shiny psychiatrist can't help her come to terms with her genderqueer boy/girlfriend's suicide, much less help her decide what to do with the fetus that's growing inside her or answers the question of why she cuts. She's befriended by two fellow patients--a strange and slightly manic queer girl and a shy, gay boy disowned by his born-again Christian parents. Girls Like Me is the a powerful coming of age story of a pregnant gay teenager who realizes that friends may make the best medicine."--Back cover.
Embodying the Problem
The dominant narrative of teen pregnancy persuades many people to believe that a teenage pregnancy always leads to devastating consequences for a young woman, her child, and the nation in which they reside. Jenna Vinson draws on feminist and rhetorical theory to explore how pregnant and mothering teens are represented as problems in U.S. newspapers, political discourses, and teenage pregnancy prevention campaigns since the 1970s. Vinson shows that these representations prevent a focus on the underlying structures of inequality and poverty, perpetuate harmful discourses about women, and sustain racialized gender ideologies that construct women’s bodies as sites of national intervention and ...
Future Generation
China Martens started her pioneering mamazine The Future Generation in 1990. She was a young anarchist punk rock mother who didn’t feel that the mamas in her community had enough support, so she began publishing articles on radical parenting in an age before the internet. The anthology of her zine, The Future Generation: The Zine-Book for Subculture Parents, Kids, Friends & Others, was first printed in 2007 and has been out of print for many years. Covering sixteen years, it uses individual issues as chapters, focusing on personal writing, and retaining the character of a zine that changed over the years—from her daughter’s birth to teenagehood and beyond. We are proud to present a ten...
Zine Yearbook
The seventh annual compilation of the year's best in underground publishing, the Zine Yearbook continues to stand as an important volume in the burgeoning world of underground media. Xeroxed and painstakingly stapled or offset printed, 50,000 zines are produced each year in the U.S. alone, by everyone from 16-year-old suburban girls to 50-year-old political prisonners. Breaking down international barriers, as well as the confines of race, class and gender, zines have become a thriving underground movement based on personal empowerment and the challenge to mainstream media.
Motherhood Online
It may take a village to raise a child, but increasingly that means a virtual village. While the media may focus on the so-called “mommy wars,” and babyrazzi follow every move of celebrity moms, millions of mothers world-wide are creating online communities. These mommy groups provide an alternative context for understanding how women construct modern motherhood together. Motherhood Online explores the mutifaceted lives that moms live online. Ranging from longitudinal studies to focused explorations of identity, and the newest community context, mommy blogs, this book documents the millions of mommies who have found an outlet online. Whether centered on region, religion, race, or something else altogether, these communities of mothers are creating a new space for mom and allowing many women to maintain a grasp, however tenuous, on sanity in this crazy-making world of modern motherhood.
Bitch
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Narrow River, Wide Sky
In the vein of The Liar's Club and The Glass Castle, Jenny Forrester's memoir perfectly captures both place and a community situated on the Colorado Plateau between slot canyons and rattlesnakes, where she grew up with her mother and brother in a single-wide trailer proudly displaying an American flag. Forrester’s powerfully eloquent story reveals a rural small town comprising God-fearing Republicans, ranchers, Mormons, and Native Americans. With sensitivity and resilience, Forrester navigates feelings of isolation, an abusive boyfriend, sexual assault, and a failed college attempt to forge a separate identity. As young adults, after their mother’s accidental death, Forrester and her brother are left with an increasingly strained relationship that becomes a microcosm of America’s political landscape. Narrow River, Wide Sky is a breathtaking, determinedly truthful story about one woman’s search for identity within the mythology of family and America itself.
We Were Witches
This inspirational “magic-infused narrative . . . is a moving account of a young writer and mother striving to claim her own agency and find her voice” (Publishers Weekly). Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself and talks her way into college. But once she’s there, phallocratic narratives permeate every subject. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single lesbian mother as she’s beset by custody disputes, homophobia, and America’s ever-present obsession with shaming unconventional women into passive citizenship. But even as the narrator struggles to graduate, a question uncomfortably lingers: If you’re dealing with precarious parenthood, queer identity, and debt, what is the true narrative shape of your experience?
Inbetweenland
Part love song, part howl, part incantation, Inbetweenland is the first book-length collection of Jacks McNamara's poems, prose, and hybrid experiments in the neon vernacular of being alive. Mapping out radical trajectories through loss, violence, and queer desire, McNamara creates a luminous archive of survival and resilience in a self-destructing world. A visual artist as well as a writer, the author relies heavily on the unexpected image to chronicle the impossible journey through body, family, and history-towards home. From the borderlands of madness to the unpredictable shape of peace, Inbetweenland bears unflinching witness to a rarely charted geography, offering the reader a resonant poetics of insurrection and grace.
