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This book explores historical traces of human life within the discourse of artifical intelligence. It addresses a matrix of themes about technology and change, ranging from the realm of the inanimate to the animate. It traces the ways in which the human spirit looks beyond its limitations and ponders the potentia of 'being human.'
The Poetics of Post-Traumatic Stress Disorder in Postmodern Literature provides an interdisciplinary exploration in early medical trauma treatment and the emergent postmodern canon of the 1960s and 1970s. By identifying key postmodern literary tropes (paranoia, uncanniness, biomediation) as products of an overarching post-traumatic stress disorder (PTSD) narrative paradigm, this concise study reveals unexplored aspects of the canonical novels at hand—such as the link between individual and collective traumatization—highlights the presence of epic elements in postmodern narratives, and identifies the influence of emerging psychiatric treatment on the post-WWII novels at hand. Performing a...
The book re-reads the postmodern novel, presenting the ending of the gold standard as a moment of continuity rather than radical change.
This volume is a collection of essays by various academics looking at how identity is shaped, gendered, and contested throughout Pynchon's work. By exploring sociological, anthropological, literary, and political dimensions, the contributors revise important ideas in the debate over individualism using political and feminist theory and examine the different ways in which their writings embody, engage, and critique the official narratives generated by America's culture.
Japan is arguably the first postindustrial society to embrace the prospect of human-robot coexistence. Over the past decade, Japanese humanoid robots designed for use in homes, hospitals, offices, and schools have become celebrated in mass and social media throughout the world. In Robo sapiens japanicus, Jennifer Robertson casts a critical eye on press releases and public relations videos that misrepresent robots as being as versatile and agile as their science fiction counterparts. An ethnography and sociocultural history of governmental and academic discourse of human-robot relations in Japan, this book explores how actual robots—humanoids, androids, and animaloids—are “imagineered” in ways that reinforce the conventional sex/gender system and political-economic status quo. In addition, Robertson interrogates the notion of human exceptionalism as she considers whether “civil rights” should be granted to robots. Similarly, she juxtaposes how robots and robotic exoskeletons reinforce a conception of the “normal” body with a deconstruction of the much-invoked Theory of the Uncanny Valley.
"The first book-length analysis of Pynchon's style, this book uses methodologies such as computational analysis, drawn from the Digital Humanities, to reveal previously unknown stylistic trends in this much-studied author's oeuvre. In doing so, it challenges critical assumptions regarding supposedly 'Pynchonesque' stylistic features and presents the most extensive description thus far of Pynchon's 'late style'. It examines a range of texts from Pynchon's oeuvre , including Gravity's Rainbow , The Crying of Lot 49 and Mason & Dixon as well as contextualising his work alongside that of other key writers such as Toni Morrison, David Foster Wallace, Don DeLillo and Stephen King."--
Researchers in artificial intelligence and scholars in the humanities consider the past, present, and future of artificial intelligence from a multidisciplinary perspective.
The Studies in the History and Culture of the Islamic Orient (STIO) is the series of “Supplements” to the journal Der Islam. Both are published by the Section for the History and Culture of the Near East in the Asian-African Institute of the University of Hamburg. The Section was established in 1908, before the foundation of the University of Hamburg. Under its first Director, C.H. Becker, it was the first academic centre in Germany in which teaching and research concentrated on the historical and cultural aspects of the Islamic world, and not just on philological issues. Many of Germany’s leading authorities in Islamic Studies have studied and/or taught here. The “Supplements” have maintained the same high quality and met the same high demands as the journal Der Islam and have published numerous studies on the history and culture of the Islamic world which have represented milestones in their relevant fields. The “New Series” of Supplements appearing since 2004 carries this tradition forward and provides a platform for publishing studies on the history and culture of the Islamic world from the beginnings of Islam up to the present day.
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