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'Niven Govinden's Diary of a Film, his sixth novel, is also his best yet. Smart, sexy and cinematic (in many senses), it is a love letter to Italy and to film' Observer 'Immersive . . . This is a wise and skilfully controlled novel that can be read in an afternoon, but which radiates in the mind for much longer' Financial Times 'A beautiful, poignant novel of love and longing' Telegraph An auteur, together with his lead actors, is at a prestigious European festival to premiere his latest film. Alone one morning at a backstreet café, he strikes up a conversation with a local woman who takes him on a walk to uncover the city's secrets, historic and personal. As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film. This is a novel about cinema, flâneurs, and queer love - it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers. But it is also a novel about stories, and the ongoing question of who has the right to tell them.
Set across the arc of an active protest and the lives behind it – a group of silent Mothers, and one of their children now working for the city – This Brutal House explores a group’s resilience, trauma, and determination to hold truth to power. On the steps of New York's City Hall, five aging Mothers sit in silent protest. They are the guardians of the Ballroom community - queer men who opened their hearts and homes to countless lost children, providing safe spaces for them to explore their true selves. Through epochs of city nightlife, from draconian to liberal, the Children have been going missing; their absences ignored by the authorities and uninvestigated by the police. In a final...
OBSERVER BOOKS OF THE YEAR 2012 LONGLISTED FOR THE DSC PRIZE FOR SOUTH ASIAN LITERATURE Amal is driving his wife Claud from London to her parents’ country house. In the wake of Claud’s miscarriage, it is a journey that will push their relationship – once almost perfect – towards possible collapse.
The East Coast of America, 1980Anna Brown, a dying artist, works on her final portrait. Obsessive and secretive, it is a righting of her past failures; her final statement.John Brown, her husband and life-long muse, has left; walked out of their home one morning to travel cross-country in search of the paintings he has sat for.As their stories unfold - independently, for the first time in many years - a passionate unconventional relationship is revealed, between two people living through the most tumultuous decades of modern history.All the Days and Nights is the story of an art hunt during a twilight period of painting. It lays bare two relationships that are ever changing and incomparable: of artist and muse, and of lovers. It is an exploration of what it means to create, what it means to inspire, what it means to live.
From the author of ‘Black Bread White Beer’.
This is Surrey, where nothing bad ever happens. Except somehow, 15-year-old Veerapen, half-Tamil, half-Jew and the fastest runner in the school, has just helped bury Moon Suzuki, the girl he loved. His dad has run off with an optician and his mum's going off the rails. Since when did growing up in the suburbs get this complicated?
From the bestselling author of Kill Your Friends, a wildly funny look at the midlife crisis of a loveable rogue. “A high-octane novel of excess” (Ian Rankin). Irish novelist Kennedy Marr is a first rate bad boy. When he is not earning a fortune as one of Hollywood’s most sought after scriptwriters, he is drinking, insulting, and philandering his way through Los Angeles, ‘successfully debunking the myth that men are unable to multitask.’ He is loved by many women, but loathed by even more including ex-wives on both sides of the pond. Kennedy’s appetite for trouble is insatiable, but when he discovers that he owes 1.4 million dollars in back taxes, it seems his outrageous, hedonist...
_____________________ The long-awaited sequel to KILL YOUR FRIENDS A Guardian Book of the Year 2018 It is 2017 – the time of Trump, Brexit and fake news. And time for the return of Steven Stelfox, former A&R man who made his millions from a hit reality TV show. Now Stelfox works occasionally as a music industry ‘consultant’. A fixer. He’s had a call from his old friend James Trellick, president of one of the largest record companies in America. Trellick has a huge problem on his hands in the shape of... Lucius Du Pre. Once the biggest pop star on earth. Now he’s a helpless junkie, a prolific sexual predator, and massively in debt to Trellick’s record company. And the picture only...
Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.