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Sylvia Earle first lost her heart to the ocean as a young girl when she discovered the wonders of the Gulf of Mexico in her backyard. As an adult, she dives even deeper. Whether she's designing submersibles, swimming with the whales, or taking deep-water walks, Sylvia Earle has dedicated her life to learning more about what she calls "the blue heart of the planet." With stunningly detailed pictures of the wonders of the sea, Life in the Ocean tells the story of Sylvia's growing passion and how her ocean exploration and advocacy have made her known around the world. This picture book biography also includes an informative author's note that will motivate young environmentalists. Life in the Ocean is one of The Washington Post's Best Kids Books of 2012
The Star Child, a tiny flame of vapor, invisible and timeless, watches the Earth from far, far away. He marvels at the blue swirls of the ocean and the green land, a bright spot turning through the darkness of space. He wants to go to this wondrous place, but he ponders: What will that life be like? "You will be plunged into Earth's river of time," his elders tell the Star Child. "There will be so much for you to learn and so much for you to feel—pleasure and fear, joy and disappointment, sadness and wonder." Through spare, artful text and intricate illustrations, Claire A. Nivola celebrates the cycle of life. A Frances Foster Book
A book of photographs by photographer Marco Anelli depicting the public works of Costantino Nivola in America, with contributions by scholars in the field, Stefano Salis and Kevin Moore.
A mouse sets out to overcome a lifelong fear of the forest.
Monuments and Site-Specific Sculpture in Urban and Rural Space presents a collection of essays discussing works of art whose formal qualities, content and spatial interactions expand our idea of creation and commemoration. By addressing projects that range from war memorials to commemorations of individuals, as well as works that engage real and virtual environments, this book brings to light new aspects concerning twentieth and twenty-first century monuments and site-specific sculpture. The book addresses the work of, among others, Günter Demnig, Michael Heizer, Thomas Hirschhorn, Dani Karavan, Costantino Nivola, Melissa Shiff and John Craig Freeman, Robert Smithson, and Micha Ullman. A lucid, thought-provoking discussion of creative processes and the discourse between site-specific sculpture and its publics is provided in this collection. As such, it is vital and indispensable for historians, art historians and artists, as well as for every reader interested in the interrelations of art, urban and rural spaces, community and the makings of memory.
This book gathers peer-reviewed papers presented at the 1st International and Interdisciplinary Conference on Image and Imagination (IMG 2019), held in Alghero, Italy, in July 2019. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.
In 1983 a special issue of Capital named Costantino Nivola among the one-hundred most important Italian people in the US, together with, among others, Mario Cuomo, Frank Sinatra, Giovanni Sartori, Riccardo Muti, and Luciano Pavarotti. What did he do that was so important? He had fled from Fascist Italy, leaving Sardinia for New York, where his talent as an artist quickly stood out. It was here that he befriended others forced into exile (like Steinberg, De Kooning, Breuer) as well as Americans (like Calder, Kline, and Pollock). But one friendship stood out, and made a profound impact on his life, both as an artist and an individual: that with Le Corbusier. In turn, Le Corbusier was touched by Nivola¿s authentic brilliance and the Mediterranean imprint of his works.
The Hamptons are hot. Gordon, who grew up there, traces the invention of the idea of the Hamptons as a resort for the elite of New York City and shows how various forces, including artists, real estate developers, and media professionals transformed what had been a quiet rural place into a modern and worldwide phenomenon. 175 illustrations.