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Africa Remix
Edited by Jean-Hubert Martin. Essays by Salah Hassan, David Elliott, Mahmood Mamdani, Manthia Diawara, Jean Loup Amselle, Marie-Christine Eyen , and Charlotte Boudon.
The Divine Comedy
Sixty artists from 22 African countries thematically explore The Divine Comedy by Dante Alighieri, employing a broad range of artistic media such as painting, photography, sculpture, video works, installations, and performances.This catalogue may be considered a triptych, following the rhythm of Dante's famous poem. The African artists at the core of this project, which presents reproductions and presentations of their artwork, focus on notions taken from the poem that they have charged with different meanings, linked both to their artistic practices and their respective personalities.Five essays written by authors from various countries create immediate links to our contemporary times and a...
Black Paris
Black Paris documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France. Based on long-term ethnographic, archival, and historical research, the work is enriched by interviews with many writers of the new generation. Bennetta Jules-Rosette explores African writing and identity in France from the early n gritude movement and the founding of the Pr sence Africaine publishing house in 1947 to the mid-1990s. Examining the relationship between African writing and French anthropology as well as the emergence of new styles and discourses, Jules-Rosette covers French Pan-Africanism and the revolutionary writing of the 1960s and 1970s. She also discusses the new generation of African writers who appeared in Paris during the 1980s and 1990s.
Imaging Culture
Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.
Contemporary Francophone African Writers and the Burden of Commitment
By looking at engagée literature from the recent past, when the francophone African writer was implicitly seen as imparted with a mission, to the present, when such authors usually aspire to be acknowledged primarily for their work as writers, Contemporary Francophone African Writers and the Burden of Commitment addresses the currrent processes of canonization in contemporary francophone African literature. Odile Cazenave and Patricia Célérier argue that aesthetic as well as political issues are now at the forefront of debates about the African literary canon, as writers and critics increasingly acknowledge the ideology of form. Working across genres but focusing on the novel, the authors take up the question of renewed forms of commitment in this literature. Their selected writers range from Mongo Beti, Ousmane Sembène, and Aminata Sow Fall to Boubacar Boris Diop, Véronique Tadjo, Alain Mabanckou, and Léonora Miano, among others.
The Noir Atlantic
The Noir Atlantic follows the influence of African American author Chester Himes on Francophone African crime fiction. In 1953, Himes emigrated to Paris; he struggled there, just as he had in the United States. In 1957, his luck changed: the famous French Série noire brought out the first installment of his "Harlem crime series, La reine des pommes. Suddenly, he was a household name in France. Later, he would also have a significant influence on Francophone African writers; for them, Himes's blend of absurdist humor and violence offered an alternative to a high literary paradigm implanted during the colonial era. Likewise, his heterogeneous identity as American, black, and a writer of "Fren...
The Noir Atlantic
The Noir Atlantic follows the influence of African American author Chester Himes on francophone African crime fiction.
The Journey
The Journey' profiles 17 emerging positions in contemporary African photography. The versatile practices of these young photographers from the Democratic Republic of the Congo, Ethiopia, Ghana, Ivory Coast, Kenya, Mozambique, Nigeria, South Africa, and Sudan encapsulates some of the ambitions, enthusiasms, and possibilities of African photography today. All of them are alumni of the?Photographers? Masterclass?, a decade-long mentorship-program (2008?2018) by curator Simon Njami and the Goethe-Institut. 13 essays, considering African photography in this particular historical moment, complement the book.
Decolonial Aesthetics I
The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their photographic documentation, and many more.
The Routledge Companion to Photography, Representation and Social Justice
Including work by leading scholars, artists, scientists and practitioners in the field of visual culture, The Routledge Companion to Photography, Representation and Social Justice is a seminal reference source for the new roles and contexts of photography in the twenty-first century. Bringing together a diverse set of contributions from across the globe, the volume explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms and visual mechanisms for control and manipulation in the age of surv...
