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When Dom Pedro I declared Brazilian independence in September 1822, he could not have known that the newly liberated country would one day become a nation of 200 million citizens. Becoming Brazil: New Fiction, Poetry, and Memoir presents writing by and about the vibrant people of this fascinatingly diverse and rapidly changing country. Although Brazil is by far the largest and most populous nation in South America—with approximately the same landmass as the US—Brazilian literature, art, and culture are little known in countries where Portuguese is not spoken. But within Brazil, contemporary artists and writers are creating a culture that is both cosmopolitan and inclusive of the nation’s diverse regions, customs, and dialects. Becoming Brazil includes works by canonical twentieth-century Brazilian writers, innovative contemporary authors, and new voices, many of them in translation for the first time. The volume also includes stunning black and white images by Brazilian photographer Sebastião Salgado.
Jidi Majia is one of China’s leading indigenous minority poets. In Words from the Fire he explores his Yi heritage in poems that incorporate Yi origin stories, myths, his endangered fire culture, environmental degradation, and the importance of poetic expression in a time of global changes. His writing is consistently tender, celebratory, and respectful of the natural world and the dignity of all people. He has received major awards in China and abroad, and has been translated into over twenty languages in thirty countries. His most recent honor is the Xu Zhimo Poetry Prize and Lifetime Achievement Award from the UK’s King’s College, Cambridge.
Here was Once the Sea features poetry, fiction, and nonfiction guest edited by Rina Garcia Chua, Esther Vincent Xueming, and Ann Ang. While many of these works are comprised mostly of anglophone texts, which reflects the aspirations of regional writers to speak across borders and to the globe at large, several native languages appear on these pages. Here, Southeast Asia refers to the constituent nations of the Association of Southeast Asian Nations (ASEAN), namely, Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam, as well as their associated diasporas. The writers and the peoples of the region live and remember more profoundly than we know. ...
New CHamoru Literature highlights an intergenerational selection of eighteen emerging, mid-career, and established CHamoru authors, including an extended feature on master storyteller Peter R. Onedera. As Onedera explains in his essay, “The Dilemma of an Official Word,” Chamorro, Chamoru, CHamoru are different spellings of the same “description used in reference to Guam’s indigenous people and those in the Marianas archipelago for thousands of years.” Within the pages of this rich collection, you will find diverse genres, including poetry, chant, fiction, creative nonfiction, and playwriting. The pieces are composed predominantly in English; however, the opening chant is in the CHamoru language (with translation by the author), other pieces are multilingual, and one poem is composed in CHamoru creole English. The themes range from genealogy to identity, colonialism to cultural revitalization, ecological connection to environmental injustice, love to sexual abuse, and belonging to diaspora. This anthology will introduce readers to the Mariana archipelago and the vibrancy of CHamoru literature, culture, histories, migrations, politics, memories, traumas, and dreams.
Human displacement is an old phenomenon; however, the dislocation of people in the twenty-first century has been unprecedented. At the end of 2019, over 260 million people were living outside their countries of birth. Some are forced to relocate—by violence, wars, hunger, persecution, and other causes—and some are voluntary migrants. A single term cannot define who they are or why they are on the move. For those uprooted by force, the psychological and spiritual loss of homeland can be devastating. The millions who are mentally uprooted—because of war-induced PTSD, addiction, and aging—can suffer similar displacement and trauma. Through outstanding fiction, poetry, memoir, and drama, the authors in Displaced Lives vividly depict the responses and emotions of ordinary people to displacement, a devastating and widespread crisis of our time. Authors are from Bangladesh, Canada, Cuba, China, Germany, India, Ireland, Iran, Israel, Macedonia, Mexico, the Netherlands, Pakistan, the Philippines, Romania, Russia, South Africa, Spain, and the U.S. Featured is a portfolio of photographs by Serena Chopra, taken in the Tibetan refugee colony of Majnu Ka Tilla, Delhi.
Here are the voices and visions from a world having need of an angel—most of all an angel of reality to help us see the Earth again, its people, and objects, to hear its tragic drone, and to recognize what it is to be human. The writing ranges from Burma/Myanmar to South Asia, China, Central America, Africa, and the U.S. From the oration of Frederick Douglass in the 1850s and the reportage of Walter F. White in the Jim Crow South during the 1920s. From the Apache genocide in the American Southwest, to the displacement of Rohingya in Burma, and the massacre of Tutsi in Rwanda. Despite the dark reality that the authors record, we recognize, as artist Claudia Bernardi says, “that life is wo...
The 21st century has seen a resurgence of authoritarian rule that often replicates past totalitarian systems, but is more refined and nuanced in its strategies of repression and exploitation. Entertainment, media, international travel, and prosperity create the appearance of flourishing individual freedoms while our lives and thoughts are increasingly monitored and manipulated. This disturbing trend raises the question of what exactly is meant by tyranny in its contemporary forms. In Tyranny Lessons, international writers from a dozen countries in Asia, the Middle East, Europe, and the Americas address these challenges as only literary writing can: through the perspective of lived experiences, imagined futures, and personal struggles. Tyranny Lessons also features the photography of Danny Lyon, the first photographer of the Student Non-violent Coordinating Committee, whose work documented the Civil Rights movement in the 1960s.
With nearly 400 pages, Out of the Shadows of Angkor: Cambodian Poetry, Prose, and Performance through the Ages is an outstanding collection of classic and contemporary writing. The volume emerges from the thirty-year effort of a community to gather Cambodian literary and cultural works. In doing so, they not only translated rare works into English for the first time, but also helped to rescue writing lost during the Khmer Rouge regime (1975-1979). Readers will find the following and more: -Cambodian writing ranging over fourteen hundred years, from the seventh century to the present; -translations of classical texts;selections of modern Cambodian poetry, prose, and folk theater; -contemporar...
Republic of Apples, Democracy of Oranges presents nearly 100 poets and translators from China and the U.S.—the two countries most responsible for global carbon dioxide emissions and the primary contributors to extreme climate change. These poetic voices express the altered relationship that now exists between the human and non-human worlds, a situation in which we witness everyday the ways environmental destruction is harming our emotions and imaginations. “What can poetry say about our place in the natural world today?” ecologically minded poets ask. “How do we express this new reality in art or sing about it in poetry?” And, as poet Forrest Gander wonders, “how might syntax, li...
Elegant, exuberant, and idiosyncratic, Acting My Age is a memoir and meditation by one of America’s most playful and inventive writers. In the words of Mary Mackey (The Jaguars That Prowl Our Dreams), “in Acting My Age, Thomas Farber gives us an unflinching, luminous, cleverly conceived meditation on his own mortality as well as on the extinction of the coral reefs, snow leopards, dolphins, and, ultimately the human species. Couching his observations in a series of short, interconnected, almost-epigrammatic essays that read like prose poems, Farber creates a narrative style reminiscent of Joyce and Melville: oceanic in depth and all-encompassing in range.” Gerald Fleming (The Choreogra...