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The Phenomenology of the Noema
Philosophers contributing new ideas are commonly caught within a received philosophical vocabulary and will often coin new, technical terms. Husserl understood himself as advancing a new theory of intentionality, and he fashioned the new vocabulary of `noesis' and `noema'. But Husserl's own statements regarding the noema are ambiguous. Hence, it is no surprise that controversy has ensued. The articles in this book elucidate and clarify the notion of the noema; the book includes articles which phenomenologically describe and analyze the noemata of various experiences as well as articles which undertake the `metaphenomenological' explication of the doctrine of the noema. These two enterprises cannot be isolated from one another. Any analysis of the noema of a particular type of experience will necessarily illustrate, at least by instantiating the general notion of noema. And any metaphenomenological account of the noema itself will guide particular researches into the noemata of particular experiences.
Thinking and Doing
Philosophy is the search for the large patterns of the world and of the large patterns of experience, perceptual, theoretical, . . . , aesthetic, and practical - the patterns that, regardless of specific contents, characterize the main types of experience. In this book I carry out my search for the large patterns of practical experience: the experience of deliberation, of recognition of duties and their conflicts, of attempts to guide other person's conduct, of deciding to act, of influencing the physical world with one's doings, and the like. This is the experience that makes possible our social life, the formulation of plans for teamwork, the building of institutions, the development of na...
Husserlian Intentionality and Non-Foundational Realism
The rift which has long divided the philosophical world into opposed schools-the "Continental" school owing its origins to the phenomenology of Husserl and the "analytic" school derived from Frege-is finally closing. But this closure is occurring in ways both different and in certain respects at odds with one another. On the one hand scholars are seeking to rediscover the concerns and positions common to both schools, positions from which we can continue fruitfully to address important philosophical issues. On the other hand successors to both traditions have developed criticisms of basic assumptions shared by the two schools. They have suggested that we must move not merely beyond the confl...
Edmund Husserl: The web of meaning : language, noema, and subjectivity and intersubjectivity
This collection makes available, in one place, the very best essays on the founding father of phenomenology, reprinting key writings on Husserl's thought from the past seventy years. It draws together a range of writings, many otherwise inaccessible, that have been recognized as seminal contributions not only to an understanding of this great philosopher but also to the development of his phenomenology. The four volumes are arranged as follows: Volume I Classic essays from Husserl's assistants, students and earlier interlocutors. Including a selection of papers from such figures as Heidegger, Merleau-Ponty, Sartre, Ricoeur and Levinas. Volume II Classic commentaries on Husserl's published wo...
Philosophy and the Visual Arts
This volume consists of papers given to the Royal Institute of Philos ophy Conference on 'Philosophy and the Visual Arts: Seeing and Abstracting' given at the University of Bristol in September 1985. The contributors here come about equally from the disciplines of Philosophy and Art History and for that reason the Conference was hosted jointly by the Bristol University Departments of Philosophy and History of Art. Other conferences sponsored by the Royal Institute of Philosophy have been concerned with links between Philosophy and related disciplines, but here, with the generous support of South West Arts and with the enthusiastic co-operation of the staff of the Arnolfini Gallery in Bristol...
Ingardeniana
Studies on different aspects of Roman Ingarden's Philosophy have been published during the last thirty years. They were meant partly to in vestigate the contribution of that thinker to phenomenological philoso phy, which was then dominant in WestemEurope, partly to arouse interest in a philosopher who was, at that time, practically unknown. The publication by the present editor of For Roman Ingarden: Nine Essays in Phenomenology, a Festschrift for his 65th birthday, marked the beginning of an interest in his thought. Subsequently, Ingarden has lectured abroad, and a number of his hitherto inaccessible Polish works have been made available, some translated into German and some even into English. This has led to further studies of his thought. However, the majority of the papers published have until now been mainly introductory. This volume offers for the first time a series of systematic studies in Ingardenian philosophy, which, it is hoped, will supply a general framework as well as a foundation for future research in this wide and difficult field.
World in Fragments
This collection presents a broad and compelling overview of the most recent work in philosophy, politics, and psychoanalysis by a world-renowned figure in contemporary thought.
The Idea of Phenomenology
The author here engages in the 'philosophical history of philosophical ideas'. This distinguishes him from those who do 'philosophical history' of ideas from outside the domain of philosophy proper, and on the other hand from those who do 'historical history' of philosophical ideas. By philosophical history in general, I mean an account of the 'conceptual lineage' of ideas or systems of ideas, a discerning of the relations between ideas or systems of ideas, a discerning of the relations between ideas with respect to their content and their logical order of precedence, apart from the historical sequence in which they are introduced and developed. The author's ambition is to carry out such 'historical' inquiries in the form of a structural analysis of philosophy, which he regards as a rigorous philosophical discipline -- that is, as a science. -- Translator's Introduction.
Film and Phenomenology
Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.
