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From the astonishingly talented writer of The Accidental and Hotel World comes Ali Smiths brilliant retelling of Ovids gender-bending myth of Iphis and Ianthe, as seen through the eyes of two Scottish sisters. Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. Funny, fresh, poetic, and political, Girl Meets Boy is a myth of metamorphosis for a world made in Madison Avenues image, and the funniest addition to the Myths series from Canongate since Margaret Atwoods The Penelopiad.
Este libro nos habla de educación literaria, de continuidades y de cambios, de innovaciones y de falsas renovaciones en el ámbito de la formación literaria y el hábito lector. Identifica los principales retos y desafíos en la formación de lectores y de mediadores en la sociedad digital del siglo xxi, caracterizada por la complejidad comunicativa multimedial y multimodal, y por la hibridación de lo analógico y lo digital. Un ecosistema de lectura en cambio, que demanda posiblemente una síntesis enriquecedora de la cultura letrada y la cultura digital.
Presenta la investigación coral sobre el espacio que ocupa el libro ilustrado de no ficción para niños y jóvenes. Se proponen claves de lectura y análisis concretos de títulos representativos que servirán para identificar qué papel desempeñan estas obras en la formación del lector, a qué obedece su eclosión editorial y cómo se puede afrontar la intervención didáctica. Además, aporta herramientas pedagógicas con las que reconocer el género y fomentar la curiosidad y el asombro en el desarrollo de una ciudadanía crítica.
Fifteen years ago, in 1975, Genna Hewett-Meade's college roommate died a mysterious, violent, terrible death. Minette Swift had been a fiercely individualistic scholarship student, an assertive—even prickly—personality, and one of the few black girls at an exclusive women's liberal arts college near Philadelphia. By contrast, Genna was a quiet, self-effacing teenager from a privileged upper-class home, self-consciously struggling to make amends for her own elite upbringing. When, partway through their freshman year, Minette suddenly fell victim to an increasing torrent of racist harassment and vicious slurs—from within the apparent safety of their tolerant, "enlightened" campus—Genna...
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
A cloth bag containing ten copies of the title.
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...
An enthralling and enchanting collection of short stories from the bestselling author of Chocolat and The Strawberry Thief... Perfect for fans of Kate Atkinson and Kate Mosse as well as readers of Eve Chase and Stacey Halls. 'A vibrant tombola of stories...' -- Time Out 'Strongly plotted and written in registers that are variously comical, sad and surreal...' - Independent 'A jewel of a book' -- ***** Reader review 'Sublime and touching' -- ***** Reader review 'Unputdownable' -- ***** Reader review 'Compelling - you can lose yourself one story at a time' -- ***** Reader review ************************************************************************** Stories are like Russian dolls; open them...
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"A young drama teacher in the West of Scotland suffers deep psychological problems which affect all areas of her life. She fails to find meaning in anything around her, but in her search she strips situations of their conventional values and sees them in a sharp, new light." --Publisher's description.