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Queenpin
'If Abbott writes half a dozen more books as good as her first three ... she will claim the throne as the finest prose stylist in crime fiction since Raymond Chandler' San Francisco Chronicle A young woman hired to keep the books at a down-at-heel nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. The moll to end all molls, Gloria is notoriously cunning and ruthless. She shows her eager young protégéethe ropes, ushering her into a glittering whirl of late-night casinos, racetracks, betting parlours, inside heists and big, big money. Suddenly, the world is at her feet -- as long as she doesn't take any chances, like falling for the wrong guy. It all falls to pieces with a few turns of the roulette wheel, as both mentor and protégée scramble to stay one step ahead of their bosses and each other ...
The Maltese Falcon
The fragrant Miss Wonderley hires Sam Spade, a private detective, to track down her sister, who has eloped with an immoral man called Floyd Thursby. But trouble finds Spade when his partner Miles Archer gets shot while on Thursby's trail. "The Maltese Falcon" is a classic mystery novel that shaped how writers told detective stories.
London Noir (Akashic Noir)
Serpent’s Tail novelist Unsworth teases, tickles, and horrifies with her stellar curation of London Noir. Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Desmond Barry, Ken Bruen, Stewart Home, Barry Adamson, Michael Ward, Sylvie Simmons, Daniel Bennett, Cathi Unsworth, Max Décharné, Martyn Waites, Joolz Denby, John Williams, Jerry Sykes, Mark Pilkington, Joe McNally, Patrick McCabe, and Ken Hollings.
The Noir Thriller
What is literary noir? How do British and American noir thrillers relate to their historical contexts? In considering such questions, this study ranges over hundreds of novels, analysing the politics and poetics of noir from the hard-boiled fiction of Hammett, Chandler and Cain to the exciting diversity of nineties thrillers, with sections on the tough investigators, gangsters and victims of the Depression years: the first-person killers, femmes fatales and black protagonists of mid-century; the game-players, voyeurs and consumers of contemporary thrillers and future noir.
Crime Fiction
Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.
The Best American Noir of the Century
This “impressive crime anthology” presents a century of American greed, crime and comeuppance by some of the genre’s greatest authors (Publishers Weekly, starred review). James Ellroy, the author of such noir classics as The Black Dahlia and L.A. Confidential, joins forces with award-winning editor Otto Penzler to present this treasure trove of stories. Ranging from the 1920s to the present day, this collection represents noir at its best across a century of literary evolution. From the genre’s infancy come gems like James M. Cain’s “Pastorale,” while its postwar heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing from the 21st century.
Brit Noir
Barry Forshaw is acknowledged as a leading expert on crime fiction from European countries, but his principal area of expertise is in the British crime arena, as demonstrated in such books as British Crime Writing, The Rough Guide to Crime Fiction and British Crime Film. After the success of earlier entries in the series, Nordic Noir and Euro Noir, he returns to the British Isles to produce the ultimate reader's guide to modern British crime fiction (taking in the best from England, Scotland, Wales, and Ireland). The word 'Noir' is used in its loosest sense as every major living British and Irish writer is considered, often through a concentration on one or two key books, and exciting new ta...
Unless the Threat of Death is Behind Them
The noted literary critic delves into the psychology and significance of American hardboiled crime fiction and film noir of the 1930s and ’40s. Early in the twentieth century, American crime novelists like Dashiell Hammett and Raymond Chandler put forward a new kind of character: the “hard-boiled” detective, as exemplified by Sam Spade in The Maltese Falcon. Unlike the analytical detectives of nineteenth-century fiction, these new detectives encountered cases not as intricate logical puzzles but as stark challenges of manhood. John T. Irwin explores how the stories of these characters grapple with ideas of American masculinity. Professional codes are pitted against personal desires, re...
Noir
Someone is Bleeding -- Fury on Sunday -- Ride the Nightmare.
