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Sọ̀rọ̀sóke: An #Endsars Anthology began as a digital archive of poetry on the EndSARS movement of 2020 on BrittlePaper, functioning as a real-time repository of poetic thoughts on the protests against police brutality that took place both online and in numerous Nigerian locations. This print edition of the anthology rearticulates similar poetics of resistance, emphasizing the activist voice of a new generation of writers resisting the tyranny of silence and state violence.
Selves is the first independent Creative Nonfiction anthology from Africa. Selves: An Afro Anthology of Creative Nonfiction features twenty-four writings by African Writers which speak from a passionate place, unafraid of the consequences, revealing even to the point of shame, essays that pry open personal Pandora boxes, revealing the secrets imprisoned beyond mental bars. Essays that hold the potential for personal healing even as personal hurts are replayed on the pages.
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad c...
Strategic communication is a pre-requisite for the achievement of organisational goals, and an effective strategic communication plan is vital for organisational success. However, systems and models dominant in the West may not necessarily be best suited for the sub-Saharan Africa reality, where many organisations lack adequate financial resources to develop and implement an effective strategic communication plan. This book examines current practices in sub-Saharan Africa, as well as the challenges faced and the intersection with culture. It packages inspiring debates, experiences and insights relating to strategic communication in all types of institutions, including private and public sect...
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