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The History of Forgetting
Los Angeles is a city which has long thrived on the continual re-creation of own myth. In this extraordinary and original work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an 'anti-tour' of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein examines new models for erasure in LA. He explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been 'forgotten'.
Seven Minutes
He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo.
Norman M. Klein's »Bleeding Through: Layers of Los Angeles«
In 2003, Norman M. Klein's docufable »Bleeding Through« raised questions of urban aesthetics and memory as part of the multimedia documentary »Bleeding Through: Layers of Los Angeles, 1920-1986.« Now, 20 years later, this important text is reissued along with several essays addressing its central themes, such as the aesthetics and politics of urban memory, the development of Los Angeles since the 20th century, the role of urban imaginaries in US politics, or media evolution in the 21st century. The volume also features a long interview with Klein and two docufables from Klein's celebrated study »The History of Forgetting: Los Angeles and the Erasure of Memory«, one being the kernel of the novella, the other imagining Walter Benjamin in L.A. Finally, the book contains links to two films featuring much of the multimedia material contained in the first edition.
Tales of the Floating Class, Writings 1982-2017; Essays and Fictions on Globalization and Neo-Feudalism
We rummage through the worlds where culture, entertainment and power share a contested space. This space could be a street that has been staged for effect. It is software where fake money circulates. Or the site of scripted pleasures, in games, casinos; architectural illusion. Inside this space we find the Floating Class, outliers who must survive casino capitalism. This cast of characters include artists, the semi-employed, hipsters; migrants; the racially ignored-- and always the immigrants. The Floating class is often afflicted by gold fevers. For almost forty years, Norman Klein has written about many such locations, and stories often blending the fictive within the factual, since the ar...
The Vatican to Vegas
A guided tour through the nuanced politics of architectural illusion, »The Vatican to Vegas« takes the reader from lavish Baroque fantasies of the seventeenth century to the Electronic Baroque of today. The ›scripted spaces‹ described by Norman Klein are punctuated with devices widely used in special effects since 1500: shocks, surprise twists, grand fakes and copies. Since its publication 2004, »The Vatican To Vegas« has emerged as a classic across many fields, from media, architecture, to the fine arts and urban planning. Its timing was ironic: Klein assumed in 2004 that the future of scripted illusion was about to radically shift. This new edition brings the ironic story up to the present, and into the digitally overwhelmed ›scripted spaces‹ of the future.
The Imaginary 20th Century
The new polyphonic, multipolar art form, the GLOBALE, laboratory and academy at the same time, will begin with the 300th anniversary of the city of Karlsruhe in June 2015 and then continue for 300 days. It focuses on the cultural effects of globalization and digitalization, which both influence life on our planet. Exhibitions, concerts, performances, lectures, conferences and symposia show the crucial artistic, social and scientific trends of the 21st Century for the first time. 0It is not about a new geopolitical cartography of culture, but the variety and richness of contemporary art beyond the market and the connection with technology and science. This art is performative and action-oriented and replaces representation by reality. In the mirror of globalization new tradition lines come into view, for example an extended Renaissance term to Asian and Arabic contributions. Globalization and digitalization cause a global synchronization of events, but also new forms of asynchrony, a 'confluence of cultures' (Peter Weibel) and a 'clash of civilizations' (Samuel Huntington). 0Exhibition: ZKM Center for Art and Media, Karlsruhe, Germany (19.06.2015-17.04.2016).
Rosson Crow
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Norman M. Klein's »Bleeding Through: Layers of Los Angeles«
In 2003, Norman M. Klein's docufable »Bleeding Through« raised questions of urban aesthetics and memory as part of the multimedia documentary »Bleeding Through: Layers of Los Angeles, 1920-1986.« Now, 20 years later, this important text is reissued along with several essays addressing its central themes, such as the aesthetics and politics of urban memory, the development of Los Angeles since the 20th century, the role of urban imaginaries in US politics, or media evolution in the 21st century. The volume also features a long interview with Klein and two docufables from Klein's celebrated study »The History of Forgetting: Los Angeles and the Erasure of Memory«, one being the kernel of the novella, the other imagining Walter Benjamin in L.A. Finally, the book contains links to two films featuring much of the multimedia material contained in the first edition.
Art in the Age of Anxiety
Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from me...
